It's a predictable view from 'Secret Window'

This review is being posted as part of Blog Cabins' 30 dAyS oF cRaZy blog-a-thon! The blogosphere is a tad more insane this month than usual!

Secret Window (2004)
Starring: Johnny Depp, John Turturro, and Maria Bello
Director: David Koepp
Rating: Six of Ten Stars

Mort Rainey (Depp) is a novelist on the verge of a burn-out when his life gets even worse: A maniac (Turturro) accuses him of plagiarising a story he wrote, and begins an ever-increasing campaign of violence and terror against Mort and those closest to him.


Based on a short story by Stephen King, "Secret Window" features a number of themes related to the darker side of the basically lonely professional life that every writer leads... and if one is familiar with those themes and how they've played out in King's works, where this movie ultimately goes is very predictable.

However, the cast is made up of competent actors--Depp once again shows what an excellent actor he is, and Turturro was downright frightening in most of his scenes--the script is well done, and the director clearly knows how to use all the tools in his bag of tricks to keep the suspense up.

Even if I realized early on that I was watching yet another movie about a crazy writer being stalked by himself, through a twisted part of his broken mind that has taken over, Koepp delivered a film that kept me watching due to nicely staged scenes and by managing to provide enough twists to keep me wondering if I was wrong about my assumptions. The script was also well enough written that I cared about the characters. I didn't want Johnny Depp's beleaguered writer to be a maniac, because
I liked him, and I certainly didn't want Maria Bello to end up in a shallow grave. It's one of those rare mystery movies where there really is no mystery if you've seen enough of them, but it is still well-crafted enough to make it worthwhile.

And it could be that this film was predictable to me because I've seen so many horror, mystery, and suspense films. Maybe viewers who haven't watched quite as many movies, or are as familiar with Stephen King's Package of Repeated Themes and Stereotypes would be taken aback by the "shocking twist ending."

Did the ending get lost in 'The Ninth Gate'?

In a naked attempt to establish myself as a Serious Film Reviewer, I am posting a review of a Roman Polanski movie. I want to be part of the impromptu web-wide celebration that that the convicted child rapist will continue walk around free. (Click here if you haven't heard the news yet.

Yes, Virginia (and Woody and Whoopie) you CAN be a convicted rapist and still be treated like a celebrity AND as if YOU were the victim.

You can even get your movies reviewed at Terror Titans, because I'm a Serious Film Reviewer Who Respects Great Artists (even if they are child-raping cowards who can't man up when it is time to face justice).

The Ninth Gate (1999)
Starring: Johnny Depp, Emmanuel Seigner, Lena Olin, and Frank Langella
Director: Roman Polanski
Rating: Five of Ten Stars

Dean Corso (Depp), a rare book dealer with a shady reputation, is hired by the mysterious Boris Balkan (Langella) to authenticate a copy of a rate book supposedly co-authored by Satan himself. As Corso goes about about his assignment, he is drawn into a web of conspiracy and murder as he gradually uncovers a secret that's been hidden for centuries. Will Corso uncover the occult secret of the Ninth Gate, or will he die trying?


"The Ninth Gate" is a stylish supernatural mystery tale. It's a well-acted film populated by eccentric characters and possessed with a stylish look and a perfectly paced story. It's a film that has almost all the elements of a great thriller, but the pieces that are lacking ultimately doom it.

First of all, the film is predictable. There are virtually no surprises as the film unfolds. The one point where the film MIGHT have take an unexpected turn--with the mysterious girl (Seigner) who may be Corso's only ally or the greatest threat he faces--ultimately ends up in the trite and tired territory. And that's a shame, because the physical presentation of The Girl is unusual and nearly unique in cinema, and, frankly as I would expect a supernatural being walking unnoticed upon the Earth to appear. (It's not a spoiler to reveal here that The Girl is a supernatural being; the film itself makes that clear fairly early on. It's a shame the filmmakers don't ultimately do something more interesting with her than they do.)

Second, and most damning, is the completely botched ending. After two hours of build-up, we get nothing. And I mean that literally. The mystery of the ninth gate is solved, the bad guys get theirs in some very satisfying ways, but the story of Dean Corso and his dark journey of discovery just sort of peters out. The film ends with no resolution of its main story--and not in a cheesy "hey kids, look for the sequel!" way. There is no question that this is a take that's over... the audience just doesn't get to know the ending. More so than any other film that I enjoyed every minute of (except the last minute), "The Ninth Gate" had me saying, "That's it?!" as the credits rolled.

If there ever was a movie that's spoiled by its ending, it's "The Ninth Gate." Unfortunately, the film is such a finely crafted effort that I can't even advise turning off the movie at a certain point to salvage it. Basically, this is a movie that ultimately adds up to nothing. That was probably the director and screen writer's intention, but that doesn't make it any better.