Showing posts with label Matt Yaeger. Show all posts
Showing posts with label Matt Yaeger. Show all posts

Sunday, October 10, 2010

I wish I liked 'Fable' more than I do

Fable: Teeth of the Beast (2010)
Starring: Melantha Blackthorne, Tara Alexis, Dale Denton, James Ray, Raw Leiba, and Fiona Horn
Director: Sean-Michael Argo
Rating: Three of Ten Stars

What starts as a simple assignment to break up an illegal Quiji Board smuggling ring, brings the City of Fable's top freelance trouble-shooter (Blackthorne) into conflict with a demon planning to destroy the hidden city and shred the veil between the magical world and the modern one.


"Fable: Teeth of the Beasts" is a film I really wanted to like. The press release included with the screener the publicity rep kindly sent me caused me to put the film near the top of my review stack. It's basic concept is one that I love--a dark fantasy movie set in a pseudo-modern environment. It's the sort sort of story part of me wishes I would force myself to do.

Which is why I wish I liked this movie more than I do, because I love genre mash-ups and there are things to like about "Fable".

Lead Malentha Blackthorne does a good job as the magical bounty hunter with a troubled past, and Dale Denton is one heck of a scary demon underneath some strange, anvil-jawed make-up. The use of digital blood-spatter, sparks, and muzzle flashes is far more adeptly used here than in films made with budgets of many hundreds more than what was spent here--like The Expendables and Machete. It's great to see a low-budget film show up the big boys like that.

The script by Matt Yaeger (from a story by Argo) is just about perfect, striking the right balance between a hardboiled detective/action film tone, an R.E. Howard vibe, and a Tolkien Universe gone seriously bad. So as far as that goes, I like this film for all the same reasons I liked the other Argo/Yaeger collaboration I've watched and reviewed, 'Johnny Sunshine', which was a genre mash-up of cyberpunk and zombie movies. I will probably watch and review any other film by them I come across, because I think they are both talented writers and directors, and I hope that they'll get it right eventually.

Argo also leads with a bit of filmmaking that I first thought boded ill but which turned out to be one of the cleverest things he did. Some scenes use "digital sets," mostly in the film's beginning, in a clever reversal of what is expected; actors in the "real world" are placed in digitally generated streets that lend a phony look to the action, while the "fantasy world" is all gritty and real. It's the opposite of what was done in "Despiser" and it's a great touch.

Much as I liked "Fable" for some of the reasons I liked "Johnny Sunshine", the film has some of the same problems, attributable in both films to inexperience of directors and cinematographers. Once again, this is a film with numerous fight scenes that not only feel under-rehearsed, but they are badly photographed, with camera placements far from optimal. I'm also not sure Argo has a feel for creating cinematic fight scenes... his editor certainly didn't!

But these technical complaints are dwarfed by the film's gigantic, insurmountable problem: That this is that it never should have been made. Or at least not made in the way it was here, because it is a movie that required a far bigger budget than what the filmmakers had to work with here.

"Fable" has at its foundation a script that would have made a great Japanese cartoon (or anime, for those of you who feel you're too grown-up to be watching cartoons). Its main character is a sexy babe who kicks ass with magic and guns. She exists in a world that is supposedly full of legendary magical creatures and demons where she is disliked just as much by the creatures she fights as by the Powers That Be. Heck, even the way the dialogue is delivered and the pacing of the film reminded me of anime. But animation is far more costly than the price of getting a few actors and a small technical crew together in a building slated for demolition (or some similar site).

And getting those actors together is a good fallback position, assuming you have the budget for great costumes and/or creature effects to populate the City of Fable with minotaurs, winged fairies, weird creatures flying through the air or perching on stools at the local bar, and all sorts of other visual madness. Or at the very least SOME costumes and creature effects aside from the single demon that is the film's main bad guy. Because one single actor in heavy make-up doesn't do the supposed realm where all magic and magical beings retreated to when humans and their Reason and Logic started taking hold and shaping Reality. All that does demonstrate the vast missed opportunities and squandered potential that this film represents.

"Fable" is a movie I hope gets a remake someday--a hope held in vain, because no one ever remakes movies because they need to be remade. Or maybe the script could be adapted to a graphic novel format, because it would make a great comic book as well. But this is not good movie, no matter how much I wanted it to be. It really is only of interest to those who are absolutely fanatical in their love of urban fantasy, and who must see or read everything that appears in that genre.

Here's hoping there'll be a third outing for Argo and Yaeger... and that the third time will indeed be the charm!





Tuesday, September 21, 2010

'Johnny Sunshine' is full of violent sex

Johnny Sunshine: Maximum Violence (2008)
Starring: Shey Bland, Eric Halsell, John Patrick McCauley and Josh Winkerbean
Director: Matt Yaeger
Rating: Four of Ten

In a dark future world overrun with zombies, Johnny Sunshine (Bland) is the hottest star in the snuff porn/zombie porn business. the film followers her through a couple of typical blood-soaked, drug-addled workdays while the producer and distributor of her films, Max (Halsell), plots to sell her boyd and soul to a corrupt cop named Stein (McCauley) so he can secure his entry into a walled city as a full citizen.


"Johnny Sunshine" is a film that mixes the cyberpunk and zombie movie genres quite effectively. It's a natural mix, as heartless societies are the mainstay of both (at least in the "after the fall" mode). It's a film that I sat down to watch, expecting to love, despite its obvious low budget.

But, then the torture porn started. I'm not talking "torture porn' in the "Saw" sense here... I mean literal torture porn. Long sequences of it. Sequences where our "heroine" rips a man's tongue out with a pair of pliers while having sex with him, and another where she rapes a young woman to death with a crowbar.

It was horrible stuff, and it was beyond my tolerance limit. I'm already a little squeamish when it comes to movie violence, but throw in sex at the same time and you've made a movie that isn't for me.

The on-screen snuff porn aspect aside, there's an interesting storyline unfolding in the film that details the complete and total corruption of society, and it presents a healthy dose of George Romero-esque social satire on the whole reality TV movement that's been taking every media segment by storm. The story would have been a little stronger if there had been something likable about Johnny, but it's hard to care about the fate of a character after you've watched her rape a girl to death with a crowbar. The ending is in keeping with the tone of the film and Johnny's personality and it actually made me revise my overall opinion of the film upward. it's actually one of those rare perfect endings and it shows that screenwriter Sean-Michael Argo has a keen sense of story (crowbar-rape scenes aside).

The acting in the film is a better than average for what is usually found in this kind of movie made with this kind of budget and Shey Bland is an attractive and charismatic actress (which gives the Johnny Sunshine character more appeal that she might otherwise have had given the repulsive things she does). The make-up effects and fight scenes are average, which means they fight choreography leaves something to be desired and more than once it's obvious that blows don't connect due either to bad camera placement or actors not hitting their marks properly.

If you can stomach the repulsive sexual violence in this film, it is actually a nice little hybrid genre picture. It makes me wonder what director Matt Yaeger and writer Argo might come up with if they do a second movie. I see talent here, and I'm interested in seeing how it develops with experience. I likewise hope to see Shey Bland again in the future--this is her first and, so far, only film credit--as she appears to be an interesting and talented actress.