Showing posts with label Freddie Francis. Show all posts
Showing posts with label Freddie Francis. Show all posts

Friday, December 24, 2010

'Tales from the Crypt' is a classy, classic anthology film

Tales from the Crypt (1972)
Starring: Joan Collins, Peter Cushing, Nigel Patrick, and Ralph Richardson
Director: Freddie Francis
Rating: Eight of Ten Stars

This anthology film from British horror company Amicus is the original screen adaptation of the "Tales from the Crypt" comic book. And it's a fabulous one--with a fine cast of actors, great camera work, and mostly tight scripting.

From the framing sequence--which features a group of tourists that find themselves stranded inside an ancient tomb where they encounter a mysterious crypt keeper (Richardson)--we know we're in for a treat. The crypt keeper's interaction with the lost tourists is the conceit that brings us into the stories.


The first tale in the film is "All Through the House", in which an evil, scheming wife (Collins) murders her husband on Christmas Eve... only to discover what Father Christmas does to those who have been naughty. There are some great visuals and fabulous contrasts of colors here, not to mention great acting by all featured (even the child actor, which is a rare occurance!)

Next up is "Reflection of Death", perhaps the weakest tale of the bunch, because it feels like it's been padded. It's the tale of a man who gets in a horrible car-wreck but finds that no-one will help him or his mistress after he's crawled from the wreckage. There's a nice, chilling twist in this one, but it takes entirely too long getting there.


The third story, "Poetic Justice", is my favorite of the bunch, and it features horror great Peter Cushing in his most touching (and probably deeply emotional) performance ever. He portrays a lonely widower who is driven to suicide after a pair of cruel businessmen cause him to believe that the neighborhood children, who have been his only joy since the death of his wife, have come to hate him. The poor old man gets his revenge, however, in a way that's fitting of "Tales from the Crypt". (In real life, Cushing himself lost his wife shortly before working on this film. I'm of the opinion that Cushing largely plays himself in this sequence.)

The fourth tale, "Wish You Were Here", is a pretty straight-forward spin on the classic "The Monkey's Paw" story. It is based around the standard of a string of badly worded wishes that backfire tragically and horrifically, but the climax of the story is so terrifying and skin-crawling that it literally had me squirming in my chair. Both as a kid and as an adult, the finale of this story is the one that hits me hardest.

Finally (aside from the creepy wrap-up to the framing sequence), we have "Blind Alley", the tale of a vicious administrator of a home for the blind, who is given a fitting punishment by his charges when they've finally had enough. This one also feels a bit padded and it drags a bit, but there are enough chills and scary moments--not to mention fine acting by Nigel Patrick as the hateful, gluttonous administrator.

"Tales from the Crypt" is a little-seen gem, and I recommend it highly to anyone who thinks fondly of British horror films from the Sixties and Seventies.



Saturday, May 22, 2010

You just can't keep a bad vampire down....

Dracula Has Risen From the Grave (1968)
Starring: Rupert Davies, Veronica Carlson, Christopher Lee, Ewan Hooper, and Barry Andrews
Director: Freddie Francis
Rating: Six of Ten Stars

After a craven, cowardly priest (Hooper) accidentally revives Dracula (Lee) from an icy grave in a shadowy crevice of a Transylvanian mountain, the vampire lord discovers his castle has been sealed with blessings and cruxifixes. Swearing revenge, he pursues the Monsignor who made his home inaccessible to him (Davies).


Although it's a direct sequel to "Dracula: Prince of Darkness", "Dracula Has Risen From the Grave" pays little attention to continuity. (Castle Dracula is a fortress in this movie, where it was more of a chateau in the two previous films.)

That aside, however, the film presents a Dracula who is far more evil than he's been portrayed before, cramming more nasty needs into the limited amount of time he is afforded into the story into this one movie than in the previous two. The opening of the film where a murdered girl is found stuffed inside a church's bell is one of the more shocking openers to any of Hammer's horror films. Dracula's pursuit of Monsignor Mueller and his family--particularly of the lovely Maria (Veronica Carlson) also gives rise to a number of chilling moments.

The movie also features some fine acting, gorgeous sets and great camerawork... not to mention the gorgeous cleavages of Carlson and Barbara Ewing! In other words, it's got all the elements we expect to find in a Hammer vampire flick from the 1950s and 1960s.

Unfortunately, the film suffers from the lack of a strong antagonist to combat Dracula. Rupert Davies is okay, but he's no Peter Cushing (Van Helsing in "Horror of Dracula") or Andrew Keir (Father Sandor in "Dracula: Prince of Darkness"). It also doesn't help the film that the good guys triumph in the end here because of a deus ex machina finale. (And I think that plot device has rarely been so literally on display as it is in this film.)

If you're a fan of Hammer's vampire movies, I think you'll enjoy "Dracula Has Risen From the Grave". It's not quite as good as "Horror of Dracula" or "Dracula: Prince of Darkness", but it's a nice chiller.