Especial de Natal

O Natal pode ter acabado, mas temos a nossa ganhadora:  Anneh
Parabéns!!! Sua criatividade nos encantou!!!

Um Feliz Novo para todos!!!!

Harrypúsculos forever ² 

tahun baru tak gembira

menjelang tahun baru ini,
saya amat beremosi. entah kenape tapi harap perasaan kekanak-kanakan ini akan lenyap
saya benci belajar dan berasa sungguh tertekan apabila melihat assignment dan tutorials dan cuaca panas babi ini meyakitkan lagi hati aku yang panas baran..
hari ini aku bekerja sebagai badut tapi hati aku nun jauh..
aku cuma mau berhenti bergaduh
aku cuma mau hidup aku yang dahulu
aku cuma mau balik dan tidak kembali...

tapi sandra, jangan bersikap sebegini!!
yakin pada diri sendiri akan dapat mengharungi sungai yang berliku ini!!
aku perenang juara!! YAKIN BOLEHHHHHHHHHHHHHHHHHHH

Selamat tahun baru wahai rakan rakanku yang comel dan dikasihi!

'Rose Red' is a house you might want to avoid

Rose Red (2002)
Starring: Nancy Travis, Julian Sands, and Matt Keeslar
Director: Craig R. Baxley
Rating: Four of Ten Stars

A self-absorbed, mentally unstable psychology professor (Travis) leads a team of psychics into Seattle's most haunted house--a house so haunted that it builds expansions to itself.


"Rose Red" is a made-for-TV chiller that tries to capture the feel of great haunted house flicks like "The Changeling", "House on Haunted Hill" and "Legend of Hell House." It mostly fails to do so, even if it is from a script by Stephen King.

Originally aired as a two-part mini-series, the movie has a few mild scares, but the truly chilling moments are few and far between. The performances by the actors are okay, but generally bland; the story is plagued by "stupid-character-syndrom"; and the house never really takes on the sort of menace/personality that the settings for this kind of movie MUST possess in order for the work to really be successful. The lack of personality in the house--and no number of characters telling the viewer how spooky the place is can create it--is what really kills "Rose Red".

new year CHEER!!

CHRISTMAS IS OVER AND NEW YEAR IS COMING!!

after much discussion with fat mummy sandra, she agreed to a new bigger wooden house but the dog cage remains.

we finally got our new wooden house which is in production!! 

we would upload the pics when it has moved in!

its so hard to upload pics cause our paws are so small to press the mouse button.

 

mummy funked up our house to get into the christmas spirit. nice leh?

that green thingy u see is not BERKULAT fungi water instead its vitamin water mummy bought us to grow strong and healthy

(aunty juwie said we have too much vitamins then we will grow into godzilla size, but thats not gonna happen rite? please tell us its not so bad??)

 

and so, this is the 3 of us happy family wishing u our dear bloggie reader:

HAPPY NEW YEAR!! go PARTY UR ASS OFF BABEH ;) 

(mind the language, we watch too much tv..)

Hammer's excellent take on classic horror tale

The Two Faces of Dr. Jekyll (1960)
Starring: Paul Massie, Dawn Addams, Christopher Lee and David Kossoff
Director: Terence Fisher
Rating: Eight of Ten Stars

Dr. Henry Jekyll (Massie) creates a method that draws out his darker side... actually transforming himself into another person, body and soul. While his hope was to fully understand all facets of a human being and thus learn about the "higher man", he instead discovers his wife (Addams) is cheating on him with his best friend (Lee). The new Henry Jekyll, Edward Hyde (also Massie) concocts a plan to set things right.


"The Two Faces of Dr. Jekyll" is an excellent adaptation of the classic Stevenson novel. It throws in some unexpected twists, it highlights the dichotomy of Victiorian England's social attitudes and ideals, and it moves swiftly while still leaving enough time and space for character development.

The revenge scheme that Hyde comes up with and inacts, in addition to its aftermath is both suitably melodramatic for the nature of this period piece and so appallingly shocking that it will unnerve all but the most jaded modern viewers. I can barely imagine the shock and surprise of British audiences in 1960!

With Terence Fisher in the director's chair, it should be of no surprise that the film is beautifully photographed and full of lush sets. Fisher is also once again working with a great cast... and Paul Massie is due special praise for doing such an excellent job in playing both Dr. Jekyll and Mr. Hyde; when Hyde first appeared, it took me a few moments to realize that the two characters were played by the same actor.

After being unavailable for purchase or rent for many years, this high point of Hammer Films' output is finally available in the "Icons of Horror: Hammer Films" collection. It's one of four undeservedly obscure horror movies included in the set (the others being the brilliant Peter Cushing/Christopher Lee vehicle "The Gorgon"; the psychological thriller "Scream of Fear"; and the mummy-tale-with-a-twist "The Curse of the Mummy's Tomb") and it's a set that any lover of classic horror films would be delighted to own.

Almost 50 years after it first premiered, "The Two Faces of Dr. Jekyll" still has the power to chill the audience. It's well worth a look, and it's release on DVD was long overdue.

If you're interested in reading the original tale, click here to visit the Classic Fiction Archive.

Great proto-slasher flick, despite sloppy writing

Deep Red (aka "The Deep Red Hatchet Murders" and "The Hatchet Murders")(1975)
Starring: David Hemmings, Daria Nicolodi, and Gabriele Lavia
Director: Dario Argento
Rating: Eight of Ten Stars

Pianist Marcus Daly (Hemmings) witnesses the brutal murder of a famous psychic, and then teams up with Gianna Brezzi, a feisty woman reporter (Nicolodi) to find the killer. Soon, they find themselves stalked by the deadly, seemingly omnicient murderer who is willing to end numerous lives to protect a number of dark secrets.


"Deep Red" is a detective thriller crossed with a slasher flick (and it's definately one of the precursor films to the slasher genre), with hints of a ghost movie tossed in for good measure. Although it's easy for a movie with so many different genre elements all simmering in the same pot to dissolve into a hideous, gooey mass, director and co-writer Argento manages to stir the many elements into a fabulous goulash of gore, mystery, and plot-twists that are actually suprising to the viewer.

This is far from a perfect movie. It's got some pacing problems--any viewer paying attention will know that a character who is pegged as the killer at one point in the film can't possibly be the killer, and Marcus should realize it too long before he does--and the storyline is unneccesarily muddy at a couple of points, but there are enough chills, gory kills, and well-executed twists to more than make up for these weaknesses. (The thread of Marcus trying to remember some half-seen clue at the crime scene, one that he thinks might unlock the entire mystery, is a great device that keeps the viewer engaged... and the kills scenes will sate any gore-hounds out there.)

i posted the HK pics finally!!

finally i took the effort to post ALL MY Hongkie pics in my FB profile.
u can check it out : HONGKIE WONDERFUL PICS!~


today i started uni and guess wat? CLASS CANCELLED! babi benar..made me wake up, got excited, dress up and walked 2 mins from carpark to class..ish ish CIS BEDEBAH!! wasting time


anyways, i'm happy to see all my buddies again.
hope this sem aint so crazy as last sem!
going swimming now.
love u- yes u the one reading. u make me smile cause u read i have a reason to write =) THANK U!!

'Cemetery Man' is a creepy, funny zombie romp

Cemetery Man (aka "Of Death and Love" and "Demons '95") (1994)
Starring: Rupert Everett, Anna Falchi, François Hadji-Lazaro, Mickey Knox, Fabiana Formica, and Katja Anton
Director: Michele Soavi
Rating: Seven of Ten Stars

Francesco Dellamorte (Everett) is the caretaker of a small-town cemetery.He spends the days burying the deceased, and his nights violently returning them to their graves when they rise as flesh-eating zombies. The steady, if creepy and gory, routine of Dellamorte's life is disrupted when both he and his assistant (Hadji-Lazaro) meet the loves of their lives (Falchi and Formica, respectively), only to see them promptly turned into undead residents of the cemetery. From there, things really start to go down hill for them.


"Cemetery Man' is a surreal horror comedy that moves effortlessly from the humorous to the horrific, and from the sexy to the savage. From the very beginning of the film, there is a dreamlike quality about the film that intensifies as it unfolds and which culminates the film's curious ending. Although the ending is rather weak, it sheds light on the strange events that have led up to it. (If it hadn't confirmed what I had come to believe about the cemetery and the village is supports, I would have labeled it a cop-out, as it's not exactly a satisfying ending, even if it fits with the film.

Although there is a fair amount of sex and gore in the film, I can't recommend it for gorehounds, or those looking for cheap thrills (even if Anna Falchi's repeatedly displayed breats are quite thrilling!). The film is a bit on the slow side for that sort of audience. It's worth seeing first and foremost for the interesting visuals and gallows humor, and secondarily for the underlying themes of... well, life, death, and the afterlife.

(Those out there familiar with the "Dylan Dog" graphic novel series from Dark Horse may also want to check out the film. It's based on a novel by Dylan Dog creator, Tiziano Sclavi. I can only assume that it's a faithful adaptation, because the film's story, pacing, and humor was reminicent of the first "Dylan Dog" book printed in the United States (which also features zombies).

Bava gave strong showing in directorial debut (as well as made a star of Barbara Steele)

Black Sunday (aka "The Demon's Mask", "The Mask of Satan" and "House of Fright" and "Revenge of the Vampire") (1960)
Starring: Barbara Steele, John Richardson, Andrea Checchi, Enrico Olivieri and Arturo Dominici
Director: Mario Bava
Rating: Six of Ten Stars

A devil-worshipping witch and her consort (Steele and Dominici), executed 200 years ago return from the dead as a strange breed of vampires after a traveler exploring her tomb (Checchi) callously damages the specially built sarcophagus that was supposed to keep them interred forever. The witch sets about claiming revenge against the descendants of those who executed her, as well as trading the body of her last living female relative (also Steele) for her own time-ravaged one.


"Black Sunday", Mario Bava's directorial debut and the film that established Barbara Steele as a horror movie icon on par with Vincent Price and Boris Karloff, has been hailed as a masterpiece in many quarters, and I have finally gotten around to seeing it.

I feel a litle bit like I did when I saw Universal's original "Frankenstein"--I don't think the film is quite worthy of the reputation it has. It's a decent horror flick in the gory-gothic mode that Hammer Films and director Terence Fisher brought to the fore with "Horror of Dracula" and "Curse of Frankenstein", but I did not find this film to be the masterpiece I'd been promised. (I'd even argue that Bava's "Hercules in the Haunted World" and "Diabolik" are both superior to this effort.)

The first and biggest problem the romantic subplot between Our Hero, the dashing Dr. Gorobec (played with perfect blandness by John Richardson) and Damsel-in-Distress Katia (Barbara Steele) falls completely flat because of a near-complete lack of chemistry between the two performers and because it's one of those Insta-Romances that even less believeable than average.

The film also suffers from number of unintentionally silly moments where Bava goes overboard to drive home a dramatic point or to make something clear to the denser members of the audience. The worst (or best, if you're watching the movie for its badness) is when a vampire is sneaking invisibly through the castle halls. Apparently, Bava wanted to make sure we knew the vampire was sneaking invisibly and he didn't feel some ruffled wallhangings or shifted chairs was enough to show it, so he has the vampire knock down everything he passes, including several suits of armor that go clattering loudly to the floor. I found myself wondering what the point of being invisible is if you're so drunk you can't walk straight... and moments later I was laughing when members of the household were claiming they'd been awakened by a terrible scream, but none had apparently heard all overturning of furniture and knocking down of armor that the drunken, blind and/or spastic vampire had been engaging in moments before.

There's also a hilarious bat attack that has got to be among the worst creature effects ever put on film.

That's not to say the film doesn't have some truly scary or cool moments. The opening sequence of the witch's brutal execution is fabulously done, with the hammering of a spike-lined mask onto the woman's face being especially squirm-worthy. The ressurrection sequence of the witch is also very creepy, with lighting, camera angles, and sound effects all being deployed with perfect precision to make it a great scene. Finally, the film's ending is perfectly done (and I can't say much more without spoiling one of the movie's most shocking moments), so, while there are flaws, Bava does get the movie's finale exactly right, a rare feat. Bava's ending is also more modern in nature than many films of this vintage, with a denouement after the main action has concluded.


And, of course, there is Barbara Steele's dual performance as the evil witch and the innocent young woman whose body she is intent on possessing. Steele does a fine job of portraying both characters, undergoing a transformation that almost rivals that the great Boris Karloff did in his great dual role in "The Black Room" (review here.)

While "Black Sunday" may not be the masterpiece some claim it is, it's worth checking out, particularly if you're a fan of Hammer Films-style horror or an admirer of the exotic beauty that is Barbara Steele.

Saturday Scream Queen: Barbara Steele

English-born Barbara Steele (and her hypnotic eyes) gained fame in Mario Bava's celebrated horror film "Black Sunday." She appeared in dozens of horror films and thrillers during the 1960s and 1970s, but started to make a transition to producing during the 1990s. She is currently mostly retired from acting, but still takes the occasional role and has been responsible for such TV series as "Queer Eye for the Straight Guy."

'Prom Night IV': The 'Angels & Demons' of slasher films

Prom Night IV: Deliver Us From Evil (1992)
Starring: Nikki de Boer, Alden Kane, Joy Tanner, Alle Ghadban, and James Carver
Director: Clay Borris
Rating: Five of Ten Stars

A demon-possessed Catholic priest (Carver) stalks and kills fornicating teenagers (de Boer, Kane, Tanner, and Ghadban) who have snuck for a weekend of nookie at an isolated country home that used to be a monastery.


"Prom Night IV: Deliver Us From Evil" is a by-the-numbers slasher flick that is distingushed by a creepier-than-average slasher, thanks to a chilling performance by James Carver, and a cuter-than-average central chick in the form of Nikki de Boer, who gives the best performance in the entire film. In fact, she is so good she makes her nearly charisma-free co-star Alden Kane look even less talented than he does in scenes he doesn't share with de Boer. In fact, de Boer gives a performance that belongs in the Slasher Movie Hall of Fame, right along side Jamie Lee Curtis' turn in "Terror Train" and "Halloween".

The film even manages to do something that the original "Prom Night"did not... it manages to dish out some truly shocking and startling imagery. The film surprises more than once in that area... and I can't get specific, because it will ruin the surprises if you haven't seen this movie.

Unfortunately there are two big problems with this "Prom Night" sequel, and they conspire to make it only slightly better than the original film in the series.

The first problem is with the script. It's very uneven and herky-jerky in its pacing. After a strong start--with prelude murders, the presentation of a secret Catholic cabal that makes those guys protecting the DaVinci Code look like first-round "American Idol" contestants, and a startling dispatch of what looked to be a main character even before the film's main story has started--but it then threatened to stall out with an uninteresting build-up to the bloody teen butchery that invariably takes place in a film like this. Once the killing started, the film did an okay job of keeping up the suspense and terror, but there were at least five minutes of pure padding that should have been gotten rid of before we got there.

The second problem is with the title. While the "Prom Night" series has never been one to care about continuity between movies--the first was a simple revenge tale, the two middle ones were about a Prom Queen who was too bitchy to die, and the one being discussed here goes off in yet another direction that has nothing to do with any of the other films. In fact, it doesn't even really have anything to do with a prom, except one is talked about and the four main characters drive by one on their way to their weekend of private debauchery. I suspect the producers of the film had a generic slasher flick that they hoped to boost audience for by associating it with an established brand. It's almost too bad they did that, because Father Jonas could possibly have been another Jason or Michael if he had been allowed to skewer unsuspecting fornicators with his bladed crucifix. It would have freed the film of the tedious task of paying lip-service to a prom that has nothing to do with anything, and it might have left more time for the whole Church Conspiracy/Demon Possession angle.

On the other hand, whoever holds the rights to this film isn't terribly swift, so I can see how they might have thought the "Prom Night" brand would held their movie rather than hurt it. After all, this film was NOT released under a new title to take advantage of the "Catholic Conspiracy Craze" that was stirred up by the "DaVinci Code" and "Angels & Demons" hype of recent years.

Despite its weaknesses and its history of bad marketing, "Prom Night IV: Deliver Us From Evil" is a fairly decent slasher flick. Fans of the classics in this horror subgenre should get a kick out of it.

Cmas greetings from MIMI and MOO MOO

Mimi and Moo moo are Super Sandra's pet guinea pigs btw if u didnt know =)

Hello pepz! we're celebrating Cmas at Suchin's house at Prai, Penang cause mummy Sandra couldnt bring us back to seremban. Our huge wire cage house couldnt fit into the bus u see..so we kinda got dumped behind for 1 month. the good news is mummy is coming back on sunday to fetch us and we can go back rumah 28 and be happy and noisy with all the other human frens of hers. 

 we kinda hate it when humans grab us real close to their faces and keep saying- "Oh ur so fat and cute i wanna squeeze u"

hello?! we know we're cute so stop talking to us like little kids yah?

mimi is 6 months old while moo moo is 5 months already.

mommy complains that we're too obese.(mimi is the size of a rabbit by now)

 the humans in rumah 28 think we're too fat too! but we cant stop eating!! food is so tempting and we think about eating last thing before we sleep and first thing when we wake up.

we are picky eaters as we only eat certain vegetables (ahem- expensive) are MUST be chilled and washed and cut nicely. (cheap  rotten pasar malam vege is totally not accepted) 

we bathe once every 2 weeks if mummy remembers.but we HATE baths! its so cold and yucky and we have to smell nice! thats so horrible. we like to stay smelly and spotty dirty.

 our daily activities besides eating is playing!!!we play with each other everyday, our favourite game is CATCH. moo moo will run and mimi will catch and viva versa.

our wish for Christmas 2009 is this:

we seriously need to upgrade to a mansion from that small flat ugly house we currently reside in. we're gonna bug mummy to go build one for us. we have a plan and we'll tell u if it succeeds!! muahahaha *evil laugh twisting whiskers*

Please tell mummy we also would like hot wheels to travel in style. we saw this on the internet that day:

check it out!! cool huh? who wouldnt wanna ride in one of these hot smokin set of wheels?!

*yawn, its getting late and we're hungry. gonna go for midnite snack*

we wish u pepz A BLESSED CMAS and be nice to each other, dont fight and share all ur food and love always. come visit us at rumah 28 ya? =)

buhbye!! *stands on hind legs and 2 pairs of pawes waving franticly!*

Carl Kolchak and things that stalk the night

Here are two fine made-for-TV-movies that are nearly 40 years old and still scarier than many big-screen horror movies that are released today. Their stories and the main character are timeless, meaning they are also as fresh today as they were back in the early 1970s.

The Night Stalker (1971)
Starring: Darren McGavin, Simon Oakland and Carol Lynley
Director: John Llewellyn Moxey
Steve's Rating: Eight of Ten Stars

When a bizarre series of murders hit Las Vegas, down-and-out crimebeat report Carl Kolchak (McGavin) thinks he might have found his ticket back to the Big Time newspaper business. As he pursues leads, however, he becomes increasingly convinced that the murderer is a vampire. Met with disbelief and scoffing from his editors and a desire to cover up the murders from Las Vegas police officials, Carl goes from crusading reporter to crusading vampire hunter.


"The Night Stalker" is an excellent movie, easily equal to many big-budget theatrical releases despite its humble television origins. The dialogue is snappy, the script and characters are all believable and well-crafted, and the mix of humor and suspense is perfectly balanced throughout.

McGavin gives a fabulous performance as Kolchak, going from a wise-cracking beat reporter (coming across almost as having been transported from the 1930s to the 1970s, yet never seeming out of place) with no goal other than to rehabilite his career, to a man who is willing to risk everything to stop a monster that no one but he seems willing to take on. The supporting cast is also universally excellent, as is the camera work. The only complaint I have is the score. It is downright annoying in its innapropriateness at times.



The Night Strangler
Starring: Darren McGavin, Jo Ann Pflug, Simon Oakland and John Carradine
Director: Dan Curtis
Steve's Rating: Eight of Ten Stars

This is another excellent adventure in humor and supernatural suspense, so well-crafted that you'd never imagine that it was originally a TV movie.

Darren McGavin gives another excellent preformance as Kolchak, who, after losing everything but his life as a result of the events in "The Night Stalker", has drifted westward to Seattle. He gets himself hired on with the city's top paper after promising to not make waves... but when he starts covering another series of violent crimes, a disturbing pattern emerges: Every 21 years since the mid-1800s, there have been a series of identical strangulation murders and what few eye witnesses there were have described the same killer. Kolchak again finds himself in the awful position of uncovering a truth that no-one wants to face or deal with. Once again, he is the only one able and willing to take action and stop the deaths.


"The Night Strangler" is one of those rare sequels that is actually better than the original. The dialogue and wit is sharper, McGavin's performace of Kolchac is even better than before, and the suspense in the story gives way to downright scary on several occasions.

(Trivia: Dan Curtis and Richard Matheson had planned a third "Night Stalker" film, in which Kolchak discovers the vampire he faced in "The Night Stalker" wasn't dead. The film never happened, but in its place was the "Night Stalker" televison series, one episode of which incorporated the story idea that would have been the movie.)

Props just for being titled 'Werewolf Bitch'

The Howling II: Your Sister Is a Werewolf (aka "Howling II: Stirba, Werewolf Bitch")(1986)
Starring: Annie McEnroe, Reb Brown, Christopher Lee, Marsha Hunt, Sybil Danning, Judd Omen and Ladislav Krecmer
Director: Philippe Mora
Rating: Three of Ten Stars

Occultist Stefan Crosscoe (Lee) convinces Jenny (McEnroe) that her newscaster sister's mysterious death was caused by werewolves. Together with Jenny's fiance Ben (Brown), they travel to Transylvania to avenge her sister and take advantage of a once-in-a-millenia chance to destroy the immortal Stirba, Mother of Werewolves (Danning).


"The Howling II: Your Sister Is a Werewof" (released in GB with the subtitle "Stirba, Werewolf Bitch", one of my all-time favorite movie titles) is not a good movie by any standard. The script is muddled to the point of near-incomprehensibility and the film is edited in such a way that scenes seem like they're out of place--Is the underground club at the start of the movie a werewolf hangout or not? Is the new wave/punk band performing there also performing at Stirba's Transylvanian werewolf sex party, or is reusing the performance some weird attempt at padding the run-time? Why does Jenny decide to take a bath in the middle of the day, especially when she knows Stefan may call her to head out to werewolf castle any time? Why do the number of werewolves seem to increase and descrease at random and/or according to the needs of the plot? Why do the heroes wait until nightfall to raid the castle?-- and the acting is barely passable by everyone involved, including that offered by the great Christopher Lee.

And then there's the werewolf make-up and transformation scenes. It's not the worst I've ever seen, but, although this was clearly a low-budget quickie, the budget stil was such that it could have allowed for something better than werewolf costuming that looks like it was created with a make-up kit bought off the shelf in a Halloween costume shop along with fake fur harvested from coats at the thrift shop. The take-away lesson here is that if you're going to make a werewolf movie, put the money into hiriing a decent make-up artist and make-up effects designer.

For all that's wrong with this movie, it's still got a touch of that "so bad it's good" charm to it. There are few movies you;ll see that will have you wondering "Did I just see what I think I saw? Did I just hear them say what I think they said?"

I hesitate to recommend this film--too many of you reading this know how to email me and some of you even know where I live--but it might be a worthwhile addition to a werewolf-themed Bad Movie Night, or perhaps something to have running in a screening room at a large Halloween party. (Just be aware, there is subject matter in the film that's not appropriate for the kiddies. The players of "Ricky Shore Sings the Blues" called attention to that fact when they featured a clip from "Howling II" in their Werewolves in Heat skit. And a great skit that was, too. I would have loved to have imbedded it here, but it seems to have vanished from the web. A shame really.)

Two decades later, 'Dead Calm' remainsNicole Kidman at her best

Dead Calm (1989)
Starring: Sam Neill, Nicole Kidman, and Billy Zane
Director: Philip Noyce
Rating: Seven of Ten Stars

John (Neill) and Rae (Kidman) are cruising the Pacific on their yacht, putting their lives and marriage back together after a tragedy claimed their son. They come upon an adrift schooner and rescue Hughie (Zane) from it. John is instantly suspicious of Hughie's claim that he's the only survivor of food-poisoning onboard... and his suspicions soon prove well-founded. The lesson learned is to not pick up hitchikers, even on the high seas.


"Dead Calm" is an exciting thriller blessed with a spectacular script. It is elevated further by some great camerawork, incredible sets, and fantastic performances by all the actors involved. Kidman does the best acting job I've ever seen from her, and I might agree her star status was well deserved if I hadn't seen her stink up the joint in other films.

The movie kept me engaged from beginning to end. Unlike some online commentators on this film, I appreciated the fact that John and Rae remained decent human beings throughout.

The common complaint among reviewers is "why didn't Rae kill Hughie at any one of the several times she had the chance?" I think many of those people don't understand how a real person with real emotions functions--assuming that person isn't a psychopath. The fact John and Rae don't kill Hughie makes the film all the more believable to me, ore so than so many other thrillers that devolve into vigilante fantasies in their third acts.

Even if you normally can't stand Nicole Kidman, she gives a good performance in this film, which is further blessed by the fact that it is populated with realistic characters. It's definately worth seeking out.

Alvin and the chipmunks 2!! movie review

chipmunks may be small but they have larger than life squeeky voices and big characters! Dave (father) gets into an accident and leaves the 3 notti chipmunks to his cousin Toby's  care (who is a slop and gamer only good at "pew pew pew")

 Alvin, Simon and Theodore take a break from pop-music stardom and return to school. Almost immediately, the tiny tunesmiths are given the giant task of saving their school’s music program by winning a battle of the band’s contest. Though the boys think winning the contest will be easy, romantic and musical sparks fly when they meet Brittany, Eleanor and Jeannette — also known as The Chipettes.

so the battle of the bands ensues between CHIPMUNKS vs CHIPETTES

there are so many funny scenes in between that will leave u in stiches. the guy sitting next to me kept laughing and laughing eventho it was not funny it kinda infected me to laugh.

the cutest and most adorable of the lot is baby Theodore.

he is so so fat and his facial expressions are priceless.

there is one scene where he got stuck in the blanket where Toby farts and he is trapped in it...i laughed my eyes out that time!! =)

As all cartoons go, they dont stick in ur memory for long but they sure put a smile on ur face and add a lil skip in ur walk on ur way outta the movies.

not bad for talking chipmunks (they remind me of my guinea pigs. wish my silly fat g.pigs could sing and dance..sigh..wishful thinking)

RATING: 5 /10

farnies 4 Christmas

HOHOHO!! FARNIES are back!!

JINGLE JINGLE~
merry Christmas!

here are a few jokes i pulled together to put a smile on ur face this sunny bright Christmas (here in Msia!)

What do elves learn in school?



the elf-abet


What is the difference between the Christmas alphabet and the ordinary alphabet?


the Christmas alphabet has No L {Noel}


What Christmas Carol is a favorite of parents?


silent night


Why does Santa have 3 gardens?


so he can hoe hoe hoe


What do snowmen eat for breakfast?


frosted flakes


What do you get when you cross a snowman with a vampire?


frostbite


What kind of bird can write?


a pen-guin


What did the ghost say to Santa Claus?


I'll have a boo Christmas without you
 
 

 

  snowman reproduction?

 

 

Three men die in a car accident on Christmas Eve. They all find themselves at the Pearly Gates waiting to enter Heaven. On entering, they are told that they must present something with a flavor in order to get in.



The first man searches his pocket, and finds some pine needles from the family's Christmas tree. He is allowed entry to Heaven.


The second man offers a bow and some ribbon, from presents that were opened earlier that evening. He too is allowed entry to Heaven.


The third man reaches into his pocket and produces a pair of panties.


Confused at the man's gesture, St. Peter asks, "How do panties represent Christmas?"


The man replies, "Oh, they're Carol's."
 
 

the effects of snowman smoking!

santa with a flat tire!

 

 rudolph farts!

 

 

 naughty santa!!

try to be naughty with santa and see what happens lah..

the lil kitty's wish for christmas is to get rid of the doggie!

haha, try to laugh at the red nose again lah.. he had the last laugh

poor Santa charged in court for something so innocent

whopps! Santa in a bad ass situation

the classic joke!!

the horny reindeer!

my all time favourite that rhymes with msia's current wifi ad " SUDAH POTONG KAH?" ;P

Especial de Natal --> Harrypúsculos

Especial de Natal do Harrypúsculos: Faça uma montagem de uma árvore de Natal, mas em vez de colocar as bolinhas vermelhas na árvore coloque fotos das duas sagas! E quem enviar para nós a árvore mais criativa de Natal terá seu Nome e sua foto postada no nosso Blog! Começa hoje e termina no dia 26/12/09! Então envie logo sua foto através do nosso orkut!

'The Changeling' is among greatest ghost movies ever

The Changeling (1980)
Starring: George C. Scott and Trish Van Devere
Director: Peter Medak
Rating: Ten of Ten Stars

John Russell (Scott) moves from New York to the Pacific Northwest to get a fresh start after his wife and daughter are killed in a car accident. The still-grieving widower rents a ramshackle old mansion where an escalating series of odd occurrences lead him into communication with an angry, and increasingly violent, ghost. Will John uncover the secrets that have been locked inside the Chessman House for over seven decades, or will he become the victim of anger, hurt, and betrayal so deep that even death couldn't still it?


"The Changeling" is one of the top five horror movies ever made, and definitely one of the very best haunted house movies ever made. The cast is excellent, the pacing of the film is perfect--with tension building and building with each manifestation of the ghost. Who knew that a little rubber ball could be an object of terror? Well, after watching "The Changeling" you will!

The movie is particularly remarkable in this day and age, because not a single one of the scares is of the "gotcha" or false variety. When the movie presents something scary and ominous, it truly is. The film also presents its scares without any gore, virtually no violence, and very few special effects--and there isn't a cartoon--sorry, CGI--monster to be seen anywhere. "The Changeling" delivers tension and terror through masterful camera usage, lighting, set design, and great acting. They, sadly, don't make them like this anymore.

The only unfortunate part about "The Changeling" is that is sort of stalls at the very end. After a tremendous build-up and what is the start of a powerful climax, the film sort of hiccups and seems to run out of gas. But this is only the last few minutes. Everything up to that point is a ghost movie that is made perfectly.

This film is a must-see for everyone who loves ghost stories and horror movies.

Brittany Murphy shines in 'Cherry Falls'

Actress Brittnay Murphy died today from cardiac arrest at the age of 32. I only saw her in a single film, but she was the best part of it. In fact, she made a fairly mediocre slasher film into a thoroughly enjoyable experience.


Cherry Falls (2000)
Starring: Brittany Murphy, Michael Biehn, Jay Mohr, and Gabriel Mann
Director: Geoffrey Wright
Rating: Six of Ten Stars

When three teens are tortured and murdered in the small Virginia town of Cherry Falls, it quickly becomes evident that the victims are linked by two things: They went to the same high school and they were virgins. What dark secret are the leading citizens of Cherry Falls keeping that's getting their (non-sexually active) children killed?


"Cherry Falls" is a mildly suspenseful slasher-flick that's remarkable first by the fact that it takes a prime convention and turns it upside-down: The promiscuous kids are safe in this one... it's the ones that are keeping their pants on that are at risk; and second that the characters are actually intelligent. Only once does a character fall show traits of "horror movie braindeadness" where they go into a dark and creepy place... but it's in a spot where she has no reason to suspect that any danger could be lurking.

Good acting from an attractive cast--with Brittnay Murphy being particularly excellent--and some well-execute plot-twists go a long way to making this film worth seeing. It's not a masterpiece, but it's not bad either. It's low on bodycount as far as slasher flicks go, but what kills it does feature are brutal and shocking.

Shows how to kill a werewolf movie series quicker than using silver bullets

Howling V: The Rebirth (1989)
Starring: Philip Davis, Victoria Catlin, Elizabeth Shé, Ben Cole
William Shockley, Stephanie Faulkner and Mark Sivertsen
Director: Neal Sundstrom
Rating: Three of Ten Stars

A group of idiots wander around a Romanian castle as a werewolf kills them, one by one.

"Howling V: The Rebirth" isn't Ed Wood level bad, but it is bad. Its basic story is like "The Beast Must Die!" (review here) where a group of people are invited to an isolated location because one of their humber is secretly werewolf and another among them wants to kill the werewolf, but doesn't know which of them it is. Unfortunately, in this instance, the storyline is badly executed in just about every conceivable way, starting with the fact that the werewolf hunter wasn't prepared in any way, shape, or form to actually hunt and kill the werewolf, despite the fact he presents himself as a member of a global secret society created for just purpose.


To make matters even worse, It features terrible set design and a badly thought-out environment in which it takes place (supposedly, it happens in a castle that's been "sealed" for 500 years, yet the entire structure is in perfect shape, right down to the bearskin runs, wooden breezeways, and lit torches in secret tunnel), an utterly predictable script that only works because of a heavy use of Stupid Character Syndrome throughout, and a werewolf elimination game that ultimately makes no sense because, again, the werewolf hunter just guesses randomly at who the monster is and overlooks the most obvious of all suspects like everyone else in the film. (And I can't even figure out why he picks that particular person.)

And the ultimate flaw is that the film is never truly scary. There are a few suspenseful moments, but they are too brief and too few to make up for all the other weaknesses.

I'm not sure where the writers (of the script, or of the novel upon which it is based got their inspiration, but I think they would have done well to watch some Scoobie-Doo cartoons. At least the conspirators in those cartoons are always well prepared, foiled only by those meddling kids. If The Martyrs, the secret society of werewolf hunters in this film, had bothered to put up some cameras or motion detectors or maybe even bring some real weapons, the proceedings might have been more interesting. (Of course, maybe the fact they call themselves The Martyrs is a clue to why they go about their werewolf hunting business is such a stupid fashion.)

AVATAR movie review

most recent movie watched: A for AVATAR!!

in short, its a story in the future where earth is dying and this planet where orang asli (natives) like the blue ppl live on in their foresty place. the normal humans cant breathe the oxygen there but the blue ppl can. what else? oh the usual humans are damn greedy and want to steal the precious mineral / power rock thingy from blue natives.

the rock thingy is $ 20 million per kilo!! wow, i would go steal some rock also man!

so obviously a battle between blue ppl vs human ensues, the battle scene

RAWKS the house down babeh!!

thank God the love scene was simple and not corny.

 the pihak ke3 died so it made things easy.

what i cannot understand is how they had sex, hair connection? hahaha (watch the movie to understand)

the story line not so good but the side effects of the forest and the body of the blue ppl will take UR BREATH AWAY. (they have glowing dots on their body!)

its like watching a show thru the eyes of a child. the lights and sounds and animals that live within it..WOW! my mouth was open most of the time. beats any disney movie lah.

 i was SO MESMERISED! superbbbbbbbbbbb

RATING: 10/10!!