Why ask why when the ghosts start killing?

Ju-On: The Grudge 2 (2003)
Starring: Noriko Sakai
Director: Takashi Shimizu
Rating: Five of Ten Stars

Famous horror actress Kyoko Harase (Sakai), her unborn child, a TV news-magazine crew, a couple of high schoolers, and a handful of random bystanders fall victim to the curse of angry, homicidal ghosts.


"Ju-on: The Grudge 2" is one creepy movie. From beginning to end, it's got an unsettling air about it, and the ghost attacks are all nightmarish and flawlessly executed.

What is not so flawlessly executed is the script. It's no problem that the story is told out of sequence, but about 2/3rds of the way through the movie, the timeline completely disintergrates. Until the two high-schoolers are introduced (who I assume must have been around in the first Japanse "The Grudge" to which this film is a sequel), all the pieces fit on a timeline that makes sense--Kyoko and the filmcrew are cursed when they viisit the house for a TV segment, and the ghosts then start picking them off, just as they did in the American versions of the tale. But, the teeny-boppers must have been cursed by the house BEFORE the filmcrew went there... although one of them appears to never have escaped it, yet she's walking around and....

The bit with the school girls makes no sense when viewed on the timeline of the film, or as a seperate event. It further causes the question to arise: How and why Kyoko was targeted by the ghosts in the first place? What exactly was the whole baby and birth thing about, particuarly when viewed in the context of the ending? And why WERE those school girls in the film? Is there a law that every Japanese horror film must include at least one girl in a school uniform?

Either the plot is so tangled that it trips over itself (bad writing) or Simizu is assuming that everyone in the audience has seen the first film in the series and he further intends to explain the tangle in a third movie (bad filmmaking), or I'm not as smart as I like to think I am (not possible). Whatever the reason, this movie is a masterful excersize in makiing the viewers feel freaked out, but a failure as an excersize in story-telling. The posives and negatives here end up placing this film on the very low end of average.

I also think this will be the last entry in "The Grudge" series that I'll be sampling. The best thing about these movies appears to be their marketing campaigns.

(That said... the birth scene and its aftermath is one that will stay with me for awhile....)

Double Feature Spook Spectacular: 'The Grudge' and 'The Grudge 2'

I'm reviewing the first two American installmentss of Takashi Shimizu's "The Grudge" series in this post. Tomorrow, I'll be posting the review of the Japanese "The Grudge 2," which seems to follow on the events described in these movies. I don't know if that's just me trying to impose order on chaos, as I don't have the impression Shimizu gives a rip about story continiuity. (And I'm not likely to seek out the original Japanese "The Grudge." The awfulness of these three films has been quite enough for me.)


The Grudge (2004)
Starring: Sarah Michelle Gellar, Jason Behr and Medaka Ikeno
Director: Takashi Shimizu
Rating: Three of Ten Stars

In "The Grudge," Americans living and working in Tokyo fall victim to curses and angry ghosts tied to a house in the city. The most recent victim (Gellar) sets out to discover the cause of the deadly and nightmarish events and hopefully to prevent the fate that is occuring to everyone around her to her.


While "The Grudge" features some interesting visuals surrounding the ghosts in the film, the scares are all of the "gotcha" variety, the script is disjointed and badly done, and the activities of the ghosts and the curse never really make any sense.

It's okay to have a crazy ghost with strange motivations. It's even okay to have a ghost with motivations that SEEM to be understandable but which are ultimately revealed not to be. It's okay to have a ghost that may have been a victim in life but which is also completely and utterly batshit crazy and evil. It's even okay to have all of those.

But what is not okay is to have a ghost (and subsequently a ghost story) that seems to have no rhyme or reason to it. Sure, the characters might die horrible deaths without ever knowing what's going on, but the audience should be left with at least an inkling that there is some underlying cause for the haunting and ghosts actions other than a writer/director being too lazy to think his own story through properly.

"The Grudge" is a ghost movie done in by laziness on the part of the creator, and no amount of CGI effects and cheap scares can make up for that laziness. Unfortunately, things only get worse in the sequel. It's a shame that a good cast (including Sarah Michelle Gellar, Sam Raimi and Bill Pullman) are wasted on such a bad movie.



The Grudge 2 (2006)
Starring: Amber Tamblyn, Arielle Kebbel, Matthew Knight, Edison Chen, Sara Roemer, and Teresa Palmer
Director: Takashi Shimizu
Rating: Three of Ten Stars

The "most haunted house in all of Japan" continues to curse victims... and now it's gone global.


"The Grudge 2" is like the original. It's got the same good parts, and the same bad parts, only moreso in both cases. The curse and its motivation still makes absolutely no sense, nor does the reasons for why the angry ghost targets who she does. In fact, ambiguity is even worse in the sequel, because it appears that the ghost isn't just tied to the house, but that it will go anywhere and target anyone... even people who have absolutely nothing to do with the house or anyone who has ever been in it. Further, it appears that the ghost isn't just the original ghost, but that all its victims are somehow being it. Or something. Or maybe another restless, tormented spirit was house-sitting while the O.G. (Original Ghost) is globetrotting.

Without spoiling too much, this sequel features not just one tale of mysterious hauntings but three--one with Amber Tamblyn and Edison Chen trying to unravel the curse a few days after the events of the first movie; one with Arielle Kebbel and Teresa Palmer a few years later when some mean school girls use the house for a bit of hazing; and a Chicago apartment building where, a few weeks after the ill-fated hazing in faraway Tokyo, teenaged Sara Roemer and her little brother Matthew Knight notice their neighbors start behaving strangely. The film moves back and forth between them, and toward the end of the film it does so in a fashion that seems truly random, and really confuses the viewers sense of what is happening when. I've seen at least two reviews claim the three stories don't connect, and I can only assume that the critics either didn't see the last few minutes of the movie, they weren't paying close enough attention, or they weren't expressing clearly enough the fact that the three stories don't connect in any way that makes sense.

And that is the problem with "The Grudge 2". Nothing in any of the stories feels properly grounded in even a shred of internal logic. There's no reason for "the curse" to target some of the people it does--like every resident on a floor of a Chicago apartment building. Stuff just happens because it's time for something spooky. There are plenty of spooky developments and even more "gotcha!" scares (although a couple of those were more laugh-inspiring on a "Evil Dead" level than actually scary... and I don't think they were going for comedy).

Oh... and here's an illustration of why your Mom told you to always put on clean underwear in the morning.


You never know when you might get caught in a phone booth with a ghost looking up your skirt.

Saturday Scream Queen: Sarah Michelle Gellar

Born in 1977, Sarah Michelle Gellar is best known for her role as Buffy the Vampire Slayer in the long-running television series (1997-2003) of the same name. She also has a growing resume of film appearances to her name, most of them horror films or thrillers, as well as a few comedies and mainstream dramas.

Gellar is the rarest of child actors who made a successful transition to adulthood and life as a working actor. She did this by taking her craft seriously and by carrying herself like a professional, something she started doing even as a young teen.

In a 2007 interview, Gellar stated, "You don't party when you're on a TV show. You go to bed for 10 hours and you learn your lines. I never smoked and I didn't drink alcohol until I was 21."

She went on to say: "I don't understand the need to give in to excess and lead your life in public. It doesn't make sense to me. I look at all these kids getting fame and attention now and they're just not equipped to deal with success at such a young age."

Wilbur Whateley: Wizard of the Roofies

The Dunwich Horror (1970)
Starring: Dean Stockwell, Sandra Dee, Ed Begley, Lloyd Bochner, Donna Baccala and Sam Jaffe
Director: Daniel Haller
Rating: Five of Ten Stars

A cute college girl (Dee) is fed supernatural Roofies by 1970s cultist and proto-Emo Wilbur Whateley (Stockwell). Before you know it, he's offering her asa one-night stand to the extra-dimensional horrors known as the Great Old Ones. Will her prudish girlfriend (Baccala) and the curmudgeonly Dr. Henry Armitage (Begley) manage to save her before she becomes a cosmic swinger?



"The Dunwich Horror" is a loose--VERY loose--adaptation of one of H.P. Lovecraft's most famous and most intense works, but, unfortunately, very little of that intensity manages to make it onto the screen.

The film has all the trappings of Lovecraft--the weird Whateley family, the hostile villagers of Dunwich, Miskatonic University, Henry Armitage, strange crystal rocks and even stranger rites and rituals that either summon or ward off invisible horrors and tentacle beasts the likes of which not even the Japanese could imagine! However, the film never comes close to evoking the mood of a Lovecraft story and it barely manages to be scary in a couple of scenes. To make an already borderline dull film even worse director Daniel Haller doesn't seem to know how to end a scenes. There literally isn't a single scene that doesn't go on for anywhere from a few seconds to several minutes too long; it's not that the film feels padded... it just feels like it's incompetently done. (And then there's those horribly long, loud, and garish dream sequences. I'm sure someone thought those were Lovecraftian but I simply found them annoying. Maybe they came across better to movie-goers in 1970, especially those tripping on who-knows-what.)

Except for the languid direction and the painful dream sequence, the film is decent enough. Every performer does a good job with their parts, even if the part merely calls for looking cute as does that played by Sandra Dee, and the cinematography and special effects are also quite well done. The same can be said for the film's score; the main title music seems a bit out of step with the nature of the film, but the variations of the theme featured throughout the film are spot-on. The Whateley House is also a great piece of set design, both inside and out.

"The Dunwich Horror" is one of those films that doesn't have enough good points for me to give it a strong recommendation, nor are there enough bad things about it to make me warn you off it. I was disappointed by it, but if a low-key Lovecraft adaptation that oozes an early 1970s vibe sounds interesting to you, then it might be worth checking out.

Vampire mobsters are VERY serious about the blood oath

Strange Things Happen at Sundown (2003)
Starring: Joseph DeVito, J. Scott Green, Joshua Nelson, Masha Sapron, Jocasta Bryan, Shannon Moore, Livia Llewellyn, Giovanni DeMarco, Robert M. Lemkowitz, Steve Gonzalez and Gina Ramsden
Director: Marc Fratto
Rating: Five of Ten Stars

Jimmy Fangs (DeVito), a Brooklyn-based mobster who also happens to be a vampire, has discovered a way to impregnate marijuana with his blood and thus turn potheads into flesh-eating zombies under his mental control, but the cash he was going to use to create his unstoppable army was stolen by another vampre, Marcel (Green). Never one to let a slight go unpunished, Jimmy hires vampire hitman the Reaper (Gonzalez, voiced by Lemkowitz) to make an example of Marcel and retrieve the cash. Meanwhile, a mysterious woman with vast knowledge of how to kill vampires (Sapron) has everyone in her sights. Can this end any way but badly?


"Strange Things Happen at Sundown" can best be summarized as a cross between "Pulp Fiction" and "Near Dark", as created by Quentin Tarantino, Charles Band, John Carpenter, and George Romero. (It was actually directed and co-written by Marc Fratto, but I think that, in time, we will see his name along side those greats I just compared him to.)

The film's three biggest weaknesses is one that is often present in independent films from first-time directors.

First and foremost, Fratto has a tendency to let scenes go on for too long, or doesn't cut shots close enough. There literally isn't a single scene in this film that wouldn't have been stronger if it had been trimmed anywhere from a few seconds to a minute, and if some of the individual shots had been edited a bit tighter, the second problem might have seemed a little less evident.

Then there's the issue of some scenes feeling stagey. Too often, the actors seem to be waiting politely for the other person in the scene to finish their line, even in some heated situations. This is less of a problem in this film than in most indie films helmed by a first-time director, but when it's present, it's distracting. Despite the occassional staginess, though, all the principal actors do excellent jobs in their roles. Much of the time, the characters seem believable and the lines seem like they are spoken in earnest instead of recited--but then the loose editing comes into play in certain spots and undermines that sense of reality.

For all my complaining, though, I did enjoy this movie. I got a big kick out of the quirkiness of the characters and I loved the mashing together of humor, horror, and mob cliches that run through the film. (There is one character in particular who must be seen to be believed and who must be experienced cold to have its full impact. I'll just alert you to watch for the vampire who seems like she's a housewife just walked off the set of a 1950s TV show. Played with great flair by Livia Llewellyn, this character is by far the funniest thing about the film.)

While I personally found the vampire victim scenes increasinlgy tiresome as the film went on--particularly after it was explained why no one seemed to go into shock or pass out from bloodloss--I suspect viewers more into gore and "torture porn" than I am, won't mind them. The gore effects are mostly well done for a film at this level, and, unlike some films, there is a valid reason for the suffering going on other than the filmmaker just wants to gross out the viewer.

"Strange Things Happen at Sundown" is a quirky vampire movie that has a few weak spots but that still entertains. It's a film fans of vampires and mafia stories alike should get a kick out of. (Also, if you're still playing the old "Vampire: The Masquerade" RPG, you might be able to steal a few adventure ideas from the film.)

New guinea pig toY!

hello pepz! i'm MIMI and today my miss got Mumu and me and new toy! wanna know wat it is?

first she got to get me ready..

so up we go...

TA DA!! the harness is on!!

my miss got me a new harness to walk freely on the floow.

now she wont worry when we run around!!

this is me and my pretty miss trying out my new toy..

the floor feels cold lah

this is Mumu my fren but he dosent really like the harness

but i do!!

thank u my lovely miss.

we love u dear reader! come visit us soon!! =)

*waves with front paws*

It's a hell of a trip down 'Route 666'

Route 666 (2001)
Starring: Lou Diamond Phillips, Lori Petty, Steven Williams, Dale Midkiff, and L.Q. Jones
Director: William Wesley
Rating: Five of Ten Stars

While escorting an unwilling witness (Williams) to a mob trail, a fractious group of Federal Marshals discover that mob hit men and corrupt small-town cops are the least of their worries. While traveling along an isolated stretch of highway, the find themselves in a life-and-death struggle against the restless spirits of the chain gang that died while building it.


"Route 666" is one of those horror films that's good for a bit of scary fun, so long as you don't think too hard about it. It's one of those movies that would come to screeching halt if the characters behaved intelligently, or even close to the level of professionalism that real US Marshals would exhibit. However, the actions of the characters are SO stupid that and the ludicrous behavior of the cops is so far fetched (two decide to make out in the armored car that's supposed to be carrying their witness, two others decide to beat the crap out of each other in the nearby hills, while their witness is handcuffed to a convertible where he is nearly killed by the ghosts and a mob hit man that's been trailing them) that viewers will be too busy snickering to notice the gaping holes in the plot. It truly is one of those movies that's so bad it's good.

The movie also has the presence of Lori Petty going for it. She's an actress that I've always found appealing, and she tends to elevate everything she appears in. (She has a sort of unconventional tomboyish sort of beauty, and I can sit through just about anything that she has a major part in.) And then there's the quartet of ghosts who assume solid form by becoming creations of asphalt. They are very creepy, very violent killing machines. Oh, and star Lou Diamond Phillips does his usual excellent job at playing Lou Diamond Phillips.

the FACE of a N-O-O-B

Attention pepz!!

this is the face of a noob motorcylist who refuse to go for motor lessons and exams and had to renew her bladdy L licence..ish ish..

i wasted rm 22 for renewal and rm5 for new keys and rm 70 for new battery and rm 6 for new spark plug..

my motor expenses is killing me!

lesson of the day: stay away from noob drivers.

either she bang u or u will bang her..

Robert e Kristen estão namorando!!!

Depois de mil boatos e insinuações, Rob disse ao tablóide inglês The Sun que “É extremamente difícil, mas nós estamos juntos”.

A dificuldade que ele quis dizer é por causa da quantidade de atenção que eles recebem dos fãs sempre que aparecem em público.

Robert também falou sobre o BAFTA Awards: “Nós não podemos chegar juntos por causa dos fãs. A situação fica maluca. Essa deveria ser uma aparição pública como um casal, mas é impossível. Estamos juntos num evento público, mas não é fácil”

Own, lindos!

Evil Clown knocks them dead in 'Torment'

Torment (2008)
Starring: Suzi Lorraine, Tom Steadman, Ted Alderman and Lucien Eisenach
Director: Steve Sessions
Rating: Five of Ten Stars

A young woman (Lorraine) is released from a mental hospital into the care of her alcoholic husband. The two go to an isolated house so she can continue her recovery and they can renew their relationship in a quiet environment. Unfortunately for them, a psycho in a clown costume (Eisenach) is capturing and torturing people in the area.


This movie was hard for me to assign a rating to. While there is much about it that I like, there is much I don't like. It's one of the better psycho clown movies I've seen, but it's got some serious flaws.

Suzi Lorraine gives an interesting performance as Lauren, a former mental patient who spots a psychotic killer as he picks out his next victim, but who is disbelieved due to her history of mental illness. The way the script sets up the chain of events that leads Lauren into the worst possible danger is well executed and her confrontation with the Killer Clown (called Dissecto in the credits but unnamed in the film istself) is very suspenseful. Unfortunately, these strong parts of the movie are undermined and outweighed by the weak parts.

"Torment" feels like its two halfbaked scripts that have been combined into one film. They weren't necessarily BAD scripts... they're just unpolished and they work against each other and ultimately end up undermining what suspense and tension they could have produced if they had been two different movies.

The clunky dialogue at times made up for by some well done lines, and the few overlong and even redundant scenes in the film are likewise counterbalanced by some truly creepy, scary and startling moments. (For example, the repeatative expository scenes and dialogue of the fact that Lauren is fresh out of mental hospital are annoying, but they are more than made up for the scene where Dissecto invades her home, or when she is hiding in his.) As far as this goes, the good counterbalances the bad.

However, the way the film makes it crystal clear from the outset that Lauren isn't hallucinating the spooky clown lurking in the bushes-- the extended scenes of him torturing a pair of missing Mormon missionaries is most definately not something she's imagining--and so there is no real tension produced by the "is she crazy or isn't she" question... although it does make her husband come across like a grade-A asshole. If you're into "torture porn", I suppose you might enjoy those aforementioned scenese of Dissecto performing for and upon his victimes, but I'm too squeamish for that sort of thing--having recently experienced my own encounter with excruciating pain has made that sort of material hard for me to watch--but the sloppy costuming of the "Mormons" can't be anything but a strike against the movie. (It's bad enough one of the "Mormons" had a shaved head, but none of their missionaries would EVER sport a soul patch/jazz dot!)

Bad costuming (and the sloppy direction that allows it to happen aside) it's the absolute certainty the audience has of Dissecto's existence that undermines Lauren's story. It makes us dislike her husband to a disproportionate degree and it makes everything leading up to her encounter with Dissecto feel like it goes on and on, because we know the real action won't start until he dispatches the husband and starts stalking her.


And that's too bad. Suzi Lorraine gives an good performance, but my impatience with wanting the movie to get to where the real action was made it hard to notice. Tom Steadman likewise gave a decent accounting of himself as Lauren's moronic husband... and I think that if he had been given better dialogue to deliver, he might have been even better. (To a large extent, he's The Amazing Redundant Exposition Man, and this reduces his role to something less that what it could have been.)

"Torment" is a movie that has a lot to recommend to fans of thrillers, slasher movies, and "torture porn". Unfortuantely, the thriller elements and "torture porn" elements are at odds with each other and between them they almost manage to make the slasher element moot and make the ending seem false and forced because it doesn't feel like a natural outgrowth of anything. These, plus the stilted and clumsy nature of some of the dialogue and the excessive exposition in certain scenes drag this down to a low end of average, despite its strong points. (Speaking of excessive exposition... one thing the film never even hints at is the Who and the Why of Dissecto. Part of me would like to know more about him, but another part of me likes the "senseless evil" aspect this presents. I think the fact I'm torn is another sign that the script needed more work.)

Despite its flaws, though, "Torment" is worth checking out if you're into killer clowns, or if you enjoy small-scale horror films.

Kristen Stewart e Robert Pattinson saíram juntinhos do BAFTA Awards

Ontem rolou o BAFTA, premiação dos melhores do cinema e televisão britânicos. Confira como foi!

O Bafta Awards deu bafão! O Oscar britânico, que premiou os melhores do cinema e da televisão, deu o troféu de artista em ascensão para Kristen Stewart.

Ela e Robert passaram a noite inteira separados. Posaram para fotos em momentos diferentes no tapete vermelho, e nem se sentaram perto na hora da premiação. Mas eles foram vistos saindo juntinhos no final da festa. Hmmmm... Aí tem!

Durante seu discurso, Kristen agradeceu as fãs da saga e disse que estava muito feliz.

Kristen segura o troféu que ganhou na noite. Ao lado, Pattinson no tapete vermelho...

Nicholas Hoult, o gato da série “Skins”, foi conferir a premiação e perdeu a indicação de melhor ator em ascenção para a Kristen...

Quem também desfilou pela premiação foi o novo casalzinho de Hollywood: Bonnie Wright e Jamie Campbell. A Gina de “Harry Potter” e o Caius de “Lua Nova” estavam juntinhos, lindinhos e fofinhos!. 

Fonte: Capricho

Baron Blood:Stupid Character Syndrome runs rampant

Baron Blood (aka "Chamber of Tortures" and "The Torture Chamber of Baron Blood") (1972)
Starring: Elke Sommer, Antonio Cantafora, Massimo Girotti, Joseph Cotton, and Rada Rassimov
Director: Mario Bava
Rating: Five of Ten Stars

While visiting his ancestral home in Austria, a not-very-bright American grad student (Cantafora) restores his sadistic, blood-thirsty 16th century ancestor to life by reading a incantation that promises to do just that. The ressurected "Baron Blood" is now roaming the countryside, claiming victims, and moron-boy must find a way to undo what he did.


"Baron Blood" is an uneven film, both in its photography, pacing and acting. The camera work ranges from amazing to annoyingly bad--how can the same director/cinematographer who made the gorgeous "Diabolik" be the guy who is responsible for overuse of of crash-zooms and focus-pulls that we are subject to here?--the plot moves with a more jerking pace than a car with a failing transmission, and the acting ranges from passable in some scenes, to completely wooden in others, to so over-the-top scene-chewing in yet others that I am sure injuries must have occured from the flying splinters.

Full of stupid characters doing stupid things, being played by actors who aren't giving their best performances, "Baron Blood" is mostly a mediocre attempt at capturing the look and feel of the Hammer gothic horrors from the 1950s and 1960s--something Bava had previously done a better job at in previous films "Black Sunday" and "Kill, Baby... Kill!"--but which is does feature a few dazzling moments of horror and artistry that will make you understand why those who praise Mario Bava are so in love with his work.

There is fantastic sequence where Anna (Elke Sommer), the film's damsel in distress who eventually saves everyone in the end, in a nice little twist to the genre standards, narrowly escapes ambush by the cloaked Baron Blood and is then persued through the eerily deserted streets of the town. The sequence ends with a wimper instead of the bang it could have and should have ended with, but it almmost makes the movie worth wathing by itself. The filming here is as gorgeous as anything Bava ever recorded and the suspense of the chase will have you on the edge of your seat.


The end of the movie, even with the massive plot holes that get opened and let unresolved as we build toward it, is also spectacularly filmed and intense that the viewer will almost forget the mediocrity that went before it. The resolution to the story also has a couple of elements that I never would have imagined, but they are of the "Wow! Cool!" variety rather than of the eye-rolling, out-of-left-field-to-show-how-clever-the-writer-thinks-he-is variety.

"Baron Blood is worth checking out if you've got nothing else that looks interesting, and it would be a perfect headliner for a "Creepy Castle"-themed Bad Movie Night, but you shouldn't go too far out of your way of it under any circumstance.

Menu Do DVD De Lua Nova

A ZON Lusomundo, distribuidora de Lua Nova em Portugal, colocou em seu Facebook algumas fotos do menu do DVD de Lua Nova. O melhor é ver a lista de cenas cortadas, fica a dica!

Menu principal

Extras

Preview de Eclipse *-*

Cenas Cortadas

Configurações

Seleção de Cenas

Fonte: TTS

EU QUEROO…

KRISses

Japanese horror you can take or leave

Misa the Dark Angel (1997)
Starring: Hinako Saeki and Ayaka Nanami
Director: Katesuhito Ueno
Rating: Five of Ten Stars

"Misa the Dark Angel" is about a young witch who insiutates herself into a boarding school for girls when she and her crusty mentor decide a magical curse rests over the place. Misa, however, being a lonely teenager with no friends, become enamoured with the 'normal' life led by the students at the school and looses sight of why she is there. And that's when the terror begins.

There is nothing particularly bad about this film. The acting is solid, the camera work, lighting, and sets are all used to full effectiveness to underscore the horror and mystery of the events that unfold, and the cast members die in appropriately ironic ways. (That said, "Misa the Dark Angel" is *not* a teenage slasher flick, even if the above sentence might imply that; it's a far more low-key horror film, with patches of horrific gore. Actually, if there is something wrong with the film, it's that it's almost too low-key. The film is almost entirely event free in the second act.)

On the other hand, there's nothing that really stands out, either. It's a solid effort, nothing more. It's worth seeing if you enjoy Japanese horror flicks, but I don't think it would be worth going out of your way for.

'Messiah of Evil' is classic in need of rediscovery

Messiah of Evil (aka "Dead People" and "The Second Coming") (1973)
Starring: Marianna Hill, Michael Greer, Joy Bang, and Elisa Cook, Jr.
Director: Willard Hyuck
Rating: Seven of Ten Stars

Arletta (Hill) arrives in the small coastal town where her father disappeared. She moves into his house while attempting to learn his fate, but finds the locals unwilling to talk to her. She soon meets up with Thom (Greer) who is a collector of modern legends and folk-tales, and of women... and after they learn of the town's gruesome history from a broken-down, crazed drunk (Cook), they discover the town's history is repeating itself: The townsfolk turning into flesh-eating zombies. Will this nightmare-curse claim the visitors as well?


"Messiah of Evil" is a different sort of horror film and a different sort of zombie movie. It's a nightmare-like tale of a small town that's consumed by a curse of a completely unknown (and therefore unstoppable) origin, and as the movie progresses, it becomes more and more dreamlike in its quality. (From the African-American albino and his pick-up truck full of corpses as Arletta is arriving in the doomed town of Point Dune, through Toni (Bang) going to see a movie theater where the marquee reads "Kiss Tomorrow Goodbye" and is subsequently surrounded by townie zombies that gradually fill the auditorium around her as she is absorbed by the film, to Thom and Aerletta's final desperate escape attempts, the film is full of hazy symbology and a sense of ever-increasing dread.)

The technical aspects of the film are iffy--the lighting and camerawork and editing all seem a bit on the weak side--but there are plenty of inventive visuals that work on many levels, the staging of the scenes, the sets, and, most importantly, the performances of every actor in the film are top-notch. It is the acting that really clinches the dreamy, nightmarish sense that hovers over the entire film. This is horror movie that needs the viewers attention to work, but it also rewards the viewer plenty who gives it.


"Messiah of Evil" is one of those films that for whatever reason has fallen into obscurity and which is one those wonderful surprises that lurk inside those massive DVD movie packs, like "Chilling Classics", which is where I discovered it. It's the sort of movie that makes such sets worth buying, and that makes up for some of the other offerings included. In fact, "Messiah of Evil" would be deserving of an 8-rating, if not for the fact that it takes the dreamlike quality that its creators managed to imbue it with just a little too far. I don't necessarily need a story to be wrapped up nicely at the end, but I don't want to have a sense that the filmmakers didn't really know themselves what the source of the evil in the movie was, or perhaps even how to effectively end their movie. At the end of this one, I felt that a little of both might well have been the case.

However, the not-quite-pulled-off end of this film isn't as damaging to the overall experience as it often is. Everything leading up to it is so well done that this film is one of several good reasons for spending money on, either in its ragged public domain state in any one of several multi-film budget packs, or in the recently released restored version (reportedly created using one of only two still-existing 35mm prints of the film.)

Percy Jackson & The Lightning Thief movie review

 

The title is a little weird inst it? its too long..when i first heard of it i was what thief? 

haha, this story originates from a story book written by this guy called Rick Riordan as u can obviously read above..

in summary the story goes like this,

in the skies above in Olympus ( yes it sounds like the camera brand eh?), there are many Gods, like Venus of love and Athena of war and etc etc..the outstanding rulers are 3 most powerful brothers.

Zeus, the god of thunder and lightning

Poseidon the god of the water and seas

Hades the god of hell ( he looks like mick jagger more than scary hell guy)

and so, Poseidon apparently came down to earth 16 years ago, got hooked up with a mortal human and hence a demigod was born aka Percy Jackson. The conflict started when some rascal stole Zeus lightning bolt and everybody was going into war and humans in between would suffer blah blah blah..

 

quite handsome for a hero eh?

 

 still, the storyline is kinda fuzzy and unbelievable. hero goes to place, face challenges, defeats evil forces, gets his mom back and becomes hero of the world! TADA! quite childish i think. but we all love happy endings and a good laugh inbetween so this is a good movie to watch in ur spare time!

watch out for 2 funny characters the goat his protector (no picture found) and this witchy medusa who looks like she's got bad hair day- EVERYDAY! WAKAKAKAKAKAKA!!

hint: look into her eyes of and turn into stone. apparently she's into I-phones as well. ;P

RATING: 8/10- 

(good visual, sound and editing effects)

 

Riding the 'Transsiberian' can be deadly

Transsiberian (2008)
Starring: Emily Mortimer, Woody Harrelson, Eduardo Noriega, Kate Mara and Ben Kingsley
Director: Brad Anderson
Rating: Seven of Ten Stars

An American couple (Harrelson and Mortimer) traveling from Shanghai to Moscow by train are befriended by a pair of shady fellow travelers (Mara and Noriega). They are soon trapped in a web of lies and deceit as the wife tries to cover up a murder and her guiless husband befriends a Russian police detective (Kingsley) with secrets of his own.


"Transsiberian" is a well-written, character-driven thriller that when it's at its best will remind you of Alfred Hitchcock greats like "Blackmail" and "The Lady Vanishes". It's a morally complex thriller that will keep you guessing as to what's coming next and that takes full advantage of both the cramped quarters of the Trans-Siberian Express, the forgotten, crumbling Russian towns it stops at, and of the icy expanse of Siberia in winter, a place that seems more confining than the train cars because, despite the vast empty spaces, there is nowhere to escape to.

Unfortunately, when it's at its worst, it will bore you or have you shaking your head at the nonsense you're expected to buy into.

Basically, the film is a little too slow in getting started. It's great that director/co-writer Brad Anderson takes some time to establish the people on the train and the atmosphere of Siberia, but he does it over and over and over to the point where it starts feeling like he's attempting to pad the film's running time. And, as it builds to its conclusion and every character's true nature is revealed, the film swerves into action movie territory of a like that would have been more at home in a Paramount-released "Bulldog Drummond"-type adventure (just to stay with my comparing of this movie to than the Hitchcockian drama that we have here). The ultimate defeat of the bad guys is also a little deus ex machina in nature, but it was set up earlier in the film so it could have been worse.

The material sandwiched between the slow beginning and over-the-top ending is, however, very good. The actors all do excellent jobs at bringing the characters to three-dimensional life, something which the script supports them in by giving each character their own voice and unique nature. Woody Harrelson is better in this film than I think I've ever seen him. Also, I've not seen sequences featuring a character who killed in self-defense and who is now trying to escape the crime since Hitchcock's "Blackmail", and a lot of that can be credited to Emily Mortimer's performance as Jessie.

If you're a fan of Hitchcock-type thrillers, you should check it out. Just be patient with the beginning.

'Stir of Echoes' is excellent spook fest

Stir of Echoes (1999)
Starring: Kevin Bacon, Kathryn Erbe and Illeana Douglas
Director: David Koepp
Rating: Nine of Ten Stars

Tom (Bacon) is a perfectly average, hard-working family man until he is hypnotized at a party and starts seeing things that aren't there and witnessing things that haven't happened yet. Tom's "third eye" has been opened, and he knows he won't have a moments peace until he uncovers why the spirit of a teenaged girl seems to be haunting his house.


"Stir of Echoes" is a fine little ghost movie. It starts out presenting a perfectly ordinary man and his perfectly ordinary family living a perfectly ordinary working-class Chicago neighborhood... and then it throws in a sudden, shocking supernatural element. There isn't anything particularly original to the story, but all the elements of a ghost story are expertly deployed, and the movie is so well-written that as the attentive audience member starts piecing together the underlying mystery, so do the characters.

A particularly refreshing part of this movie is that even as Tom is coming unglued because of his sudden psychic powers, his wife (Erbe) stays with him and attempts to help him. Too many movies have marriages fall apart immediately in these sorts of movies--here, we have a couple who are in love and who stay together through thick, thin, and supernatural events.

"Stir of Echoes" is one that lovers of ghost movies definitely should take the time to see. It is well acted and expertly paced and a type of ghost movie we won't see many of anymore, because Hollywood movie makers think that computer graphics can take the place of a well-done story.

Potter e Crepúsculo

                                                                    Atores dos dois filmes confirmam namoro

Essa é para deixar os fãs das sagas animados. Bonnie Wright, a Ginny Weasley de Harry Potter, e Jamie Campbell Bower, Caius Volturi de Lua Nova, estão namorando! Eles confirmaram tudo, hoje, para o site OK!. “Sim, nós estamos namorando. Nós temos nos visto há alguns meses, isso é bom.”, afirmou Bonnie. Os dois, que estão juntos no filme Harry Potter e a Relíquias da Morte, davam motivos para especularem sobre esse namoro desde outubro do ano passado, mas agora é para valer! O que vocês acham desse casal?

Fonte: Yes!Teen

Cinematic Black History Milestone:First Black Vampire

Blacula (1972)
Starring: William Marshall, Vonetta McGee, Thalmus Rasalala and Denise Nicholas
Director: William Crain
Rating: Seven of Ten Stars

When an African prince (Marshall) resists Dracula's attempt to feed on him and his wife (McGee), Dracula curses him to be a vampire like himself. One hundred years later, Dracula's curse is unleashed upon an unsuspecting Los Angeles as "Blacula's" coffin is moved there from Transylvania and opened

"Blacula" is a funky (in ever sense of that word), modern Dracula tale told through the well-polished lense of 1970s blaxploitiation. Much of this must have been goofy to the audiences in 1972, and it's only gotten goofier with the passage of time.

That said, the pacing and acting featured in "Blacula" is actually better than many "straight" vampire movies from that same decade, and similarly superior to what you find in most other films of the blaxploitation genre. The script is also more interesting overall.


Classically trained Shakespearian actor William Marshall is particularly excellent as the African prince Mamuwalde who fell victim to Dracula's curse while visiting his castle, giving a performance that elevates the character above the cartoon it could have so easily become onto a level where the audience feels sympathy for him. Marshall gives us a character that is driven more by anger at his situation than bloodlust--and what culturally refined black man wouldn't be angry waking up in 1972 to find himself surrounded by giant 'fros and even larger heels, vampire or no?--but he also makes the pain felt by Mamuwalde come straight home to the viewer and makes us buy into the story of love lost that really ends up giving this movie a punch.

If you liked Francis Ford Coppola's "Bram Stoker's Dracula", I think you'll probably enjoy "Blacula". Coppola's film has more in common with this than it does Bram Stoker's novel.

"Blacula" is also a film that will enliven any Bad Movie Night. With its blend of horror, blaxploitation, romance, and goofiness (both intentional and unintentional), it's a film you can't go wrong with.

Bad voice actors ruin quirky werewolf film

Kibakichi (aka "Werewolf Warrior") (2004)
Starring: Ryuuji Harada and Nozomi Ando
Director: Tomoo Haraguchi
Rating: Seven of Ten Stars

Kibakichi (Harada), a monster warrior and the sole survivor of a village wiped out by the humans, finds himself called upon to defend a village of peaceful monsters when they are betrayed and attacked by the humans they considered their allies.


"Kibakichi" is quirky blend of Japanese historical melodrama, martial arts action, fantasy and horror. The effects and monsters are strictly low-tech and low-budget, but the creative camerawork, staging and lighting brings it all to life in an impactful and fun way. Plus, the climactic battle scenes, with monster battles, sword-fights, werewolf rampages, and funky 18th century machine guns is one that is not to be missed!

This is also one of those very interesting films that successfully turns what is traditionally considered monsters into the objects of our sympathies while showing humans to be evil and monstrous. It's a film that delivers a message about tolerance and acceptance and the universal desire that every person has to have a safe place to live and raise their family. (Some of these morons I'm seeing commenting on politics and threatening violence if The Obama doesn't win the presidential election should watch this movie and others like it. Maybe seeing the message wrapped in a fantasy setting will make them realize what intolerant and hateful assholes they truly are.)

The only real weak spot of the film is the dubbing. There is so little dialogue in the film that it's not a huge problem, but what there is done by actors so bad I can only assume the producers rounded up the overnight cleaning crew and gave them each a dinner coupon at Denny's for the time spent recording. Even worse, it appears that absolutely no effort was made to shape the lines or even synchronize them properly with the actors on-screen.

Even if you don't usually like reading subtitles, you should only watch "Kibakichi" with original Japanese language track. You experience will be far more pleasurable if you do.

JÁ TAVA NA HORA!

Como muitos ja sabem a festa de entrega do Oscar vai ser realizada no dia 7 de março, em Los Angeles, no palco do Kodak Theatre, na Hollywood Boulevard.

Agora adivinhen que finalmente foi indicado[/pode não ser na categoria desejada, mais foi.
THANTHANTAHN... É ele mesmo, Harry Potter e o enigma do príncipe foi indicado na categoria de melhor fotografia.

Nesta mesma lista estão:
“Avatar”
“Harry Potter e o Enigma do Príncipe”
“Guerra ao Terror”
“Bastardos Inglórios”
“A Fita Branca”
 veja toda a lista do Oscar 2010.

Covenhamos, merecia mais!!
Esperamos que Relíquias da morte partes 1 e 2, sejam indicados a mais categorias e principalmente a de melhor filme... Aí vem aquele velho ditado: "Só valorizam quando perdem".

Valeu, abraço!!

Fotos de "Eclipse" mostram cena quente entre Robert Pattinson e Kristen Stewart

No filme, que estréia em junho nos EUA, o ator é o vampiro Edward e a atriz interpreta Bella.

Caiu na internet uma foto que seria de uma cena quente entre Robert Pattinson e Kristen Stewart no filme "Eclipse", que está previsto para chegar aos cinemas dos EUA no dia 30 de junho.

Nas imagens, os atores, que interpretam o vampiro Edward e Bella Swan, aparecem numa cama, aos beijos. Entre as fotos que vazaram, Pattinson também aparece em uma cena de ação.

Fonte: Revista Quem