Tuesday, August 31, 2010

'Pieces' is lots of gory fun

Pieces (1981)
Starring: Christopher George, Frank Brana, Lynda Day George, Edmund Purdom, Paul Smith, Jack Taylor, and Ian Sera
Director: Juan Piquer Simon
Rating: SPLIT--4/10 if viewed as a straight slasher film; 7/10 if viewed as a comedy)

Someone is cutting up beautiful college girls with a chainsaw and carrying off pieces of their bodies to create the world's first full-sized, flesh-and-blood person puzzle. The police (George and Brana) are stumped, so rather than conduct a full investigation, they recruit random faculty members to help with investigation and ask a random student to keep an eye on an officer who is sent in under cover as the school's new tennis instructor (Day). Who is the killer? The effeminate anatomy professor (Taylor)? The brutish groundskeeper (Smith)? The randy Big Man On Campus (Sera)? Or the quirky University Dean (Purdom)? Who's got bodyparts and a chainsaw hidden in their closet?


Some films are so bad they become unintentionally funny, and they end up being more funny than supposed comedies. "Pieces" may be an awful horror movie--hence the Four Tomato rating--but if it had been a slasher movie spoof, it would rate Seven Tomatoes. From the most incompetent cops ever put on film (not only do they recruite a possible suspect to watch their undercover officer, but they give him access to police files), to the least subtle serial killer to ever roam a heavily populated area (it's a residential campus, and he uses a chainsaw to kill people), to the Kung Fu fighter who shows up out of no where to attack the undercover cop for no reason what so ever, to the date-rape drug-fueled climax, "Pieces" gets funnier and funnier as it progresses. The lame, wanna-be "Goblin"-style electronica score only heightens the fun. (I'll grant the filmmakers one good scare, though. There's a bit near the end that I didn't see coming at all, and it made me jump.)



Sunday, August 29, 2010

Lawyer with broken smashed up English

 Take a good look at the lawyers in the case of Teoh Beng Hock's death (a controversial issue in malaysia whereby this guy died due to political/corruption thingy) concerning MACC. So they interview the top Thai pathologist Dr Pornthip Rojanasunand.
i tell you, a 5 year old kindergarden kid can speak better English that the fool representing the company/government. On the other end u can see Karpal Singh and his son and the rest of the courtroom LAUGHING and mocking his horrible terrible comprehension of simple English and his atrocious Kampung-fied pronounciation. People in Thai would be cursing our law system as well..

HOW THE HELL do we achieve vision 2020 or become some respected growing nation if we're feeding monkeys like this lawyer (25 years + experience) to represent people in court! Imagine the innocent judged wrongly due to his stupidity will be rolling in their graves! 
good grief! watch and see for yourselves..(u can watch all 8 episodes and smack ur head in disbelief how he even graduated in the first place)


clown history

TAKE a good good look at this photo taken 3 years back....
 
does this clown look familiar???
think think think hard...
hmmmm still not ringing a bell?? 



how about this picture? clearer? can u see who this is?

 HAIYO...still dunno ah?
  


AHHH!!! its creampuff's uniform on George the cow..
he was a super senior who once used my uniform and then allyson wore it and before that i dunno how many before creampuff...

 i said George the cow because now he looks like this :

hahaha..never knew George was once the same clown with the same uniform.
i wonder who is cuter? Clown Creampuff or Clown George of the jungle? (not in cow suit lah)

'Prey for the Beast' is not worth digesting

Prey for the Beast (2008)
Starring: Ray Besharah, Lisa Aitken, Mark Courneyea, Brett Kelly, Anastasia Kimmett, Amanda Leigh, Sonia Myers, Jodi Pittman, and Lenard Blackburn
Director: Brett Kelly
Rating: Three of Ten Stars

Visitors to a remote corner of Canada's grand wilderness are stalked and killed by a cunning monster with mysterious powers. Two groups of campers--one consisting of all-male Beautiful People and one all-female Beautiful People--join forces in order to survive.

"Prey for the Beast" features a great creature. I often knock low-buget horror films like this because they include monsters that look cheap and goofy instead of impressive and scary.That's not the case here. The monster in this film is very made, its attacks are convincing, and it holds up nicely to the extended shots that its featured in. It's a rareity among films at this production level, and I congratulate Kelly and his special effects team of Ralph Gethings (who did the gore effects and make-up) and Matt Ficner (who built the monster suit) for excelling in this area.


The script for the film is also pretty decent. Its characters are a bit on the generic side for the most part, but its got some nice concepts and a climax is well-paced. It also gives the creature a suite of unexpected powers, such as the ability to animate the corpses of victims it doesn't fully consume and a venom that causes paranoia and hallucinations in those who survive its attack. One is also left with the impression that the creature has the ability to teleport itself from place to place and turn invisible at will, but I don't think that was intended by the filmmakers. Rather, I think the creature's amazing ability to stand unseen directly behind its intended victims is a reflection of the Ed Wood Problem as it is manifested in "Prey for the Beast".

"The Ed Wood Problem", so named because it was an ever-present elements in the movies and written by Edward D. Wood Jr., is what occurs when the script calls for a certain kind of location, the actors behave and deliver their line as if they're in that location, but even the most unobservant viewer can recognize that what's on the screen and what the actors are describing or reacting to are two different things. In an Ed Wood picture, this problem would typically manifest itself through characters commenting on how fancy or opulent a room was while standing on a set that made a flophouse look luxurious.

In "Prey for the Beast", the Ed Wood Problem has a script that calls for a wilderness far removed from civilization, a deep, dark forest that is hard to access and in which human feet rarely tread. What we have seems more like a place that's no more than 100 yards from the visitor's center of a national forest or large city park. (The Problem starts maniesting early in the fllm with the film's mail title credits running over stock footage of a mountainous forest and wild giver, intercut cut with four of our soon-to-be-beast-prey charaters pulling across a placid lake in a rowboat; by none of the characters possessing any camping gear worth noting; and by the survivors of the beast attack reaching a road, a shack, and ultimately a picnic area, within no more than half a day's worth of hiking.)

The setting for the film doesn't feel as remote and isolated as it needs to, and this is a major strike against any real suspense and terror being generated as the film unfolds. It also leads to seeral eye-rolling moments of unintentional hilarity when the monster is lurking a mere two-three feet away from its victims, yet they do not see it. This is because the action is supposedly taking place in thick, old-growth forest and not among the thin forest the actors are actually performing in. It keeps the viewer from taking the film seriously and it keeps the film from having any real impact, despite the effective creature design and well-done gore effects.

Actiing that is more suited for stage than film on the part of most of the cast, and illogical behavior on the part of several characters (because if they didn't do something stupid, the monster wouldn't have a chance to kill them) also serves as a drag on the overall level of enjoyment derived from watching the film. The only castmembers who didn't have me cringing at some of their line-readings was director Brett Kelly, Anastasia Kimmet, and Lisa Aitken.

If you're a fan of low-budget monster movies, "Prey for the Beast" is worth checking out for its well-done monster. The rest of the movie is fairly mediocre. There are a couple of jolts here and there, but even at its scant running of just over an hour it feels over-long and there are more than point where you'll wish for the pace to picked up a bit.



Saturday, August 28, 2010

Saturday Scream Queen: Sienna Guillory


British actress Sienna Guillory has been working steadily since landing her first big role at the age of 20 on the television series "The Buccaneers" in 1995. Although she has appeared mostly in historical dramas, her starring turn as Jill Valentine in "Resident Evil: Apocalypse" earned her a spot in the hearts of horror fans (even if the overall movie wasn't all that good).

Scheduling conflicts made it impossible for her to appear in "Resident Evil: Armageddon," but she returns to the series with "Resident Evil: Afterlife," which is slated for release next month.

Friday, August 27, 2010

Disgusting china people

Recently i was browsing through fb and came across a horrible video by Adeline which highlights CHINA PEOPLE EATING ABORTED BABIES FOR HEALTH. i'm like what the hell? so i googled and  came out with all these...
i dont know how true the news is but i know Chinese people will eat anything and everything under the sun. SHIT man...Why are people so barbaric. Even animals know how to act better!


In China they are eating babies, in Loma Linda, they are — Harvesting Organs
The following is excerpted from an article in the January 1996 issue of Rutherford, the official journal of the Rutherford Institute (Charlottesville, VA). We have added subheads.
        When reports of Chinese citizens eating human fetuses for health reasons surfaced in Hong Kong last year, many dismissed them as fiction . . , but when Eastweek and Eastern Express, two English-language publications based in Hong Kong, investigated, the reporters were in for a shock. 

DISCOVERY IN CHINA
        One investigator feigned illness and asked a Shenzhen hospital doctor for fetuses. Holding up a fist-sized glass bottle stuffed with ten thumb-sized unborns, the doctor said, “[They were] all aborted this morning. You can take them. We are a state-run hospital and don’t charge anything.” A private hospital spokes­man offered to sell the reporters full-term unborn, which he claimed “contain the best healing qualities.”
        Zou Qin, a doctor who claimed to have aborted several hundred unborn and eaten 100 fetuses herself, said, “People normally prefer [fetuses from] young women, and even better, the first boy and a male.”
        She justifies the practice: “They are wasted if we don’t eat them . . Zou Qin has fed fetuses to her sister’s children. “I wash them with clear water until they look transparent white and then stew them. Making soup is best.” A photo depicts Zou Qin smiling, holding up a tiny fetus which hasn’t made it to her bowl yet.


'The Last Exorcism' all but ruined by ending

The Last Exorcism (2010)
Starring: Patrick Fabian, Ashley Bell, and Louis Herthum
Director: Daniel Stamm
Rating: Five of Ten Stars

A professional minister and exorcist who has lost his faith in God (Fabian) cooperates with the making a documentary intended to expose exorcists and exorcisms as the frauds they are. However, with a two-person film crew in tow, he comes face to face with a girl (Bell) who may truly be possessed by a demon.


"The Last Exorcism" is, for most of its running time, a well-executed horror film in the "Paranormal" or "The Blair Witch Project" mode. The documentary feel is scrupulously maintained, and there's nothing shown in the film that couldn't have been captured by the camera carried by the documentary filmmaker. The script is lean, tightly focused, and it sets up everything that occurs in the picture nicely.

The film also benefits from a main character, Reverend Cotton Marcus, who, despite admitting up front to having turned from preacher to conman and trickster, is a sympathetic throughout. Even better, Cotton Marcus is a character who has a conscience and a heart--and perhaps more faith left in God than he realizes--and he tries his best to help a young girl in serious trouble, first exploring every possible logical explanation for her condition... and ultimately exploring supernatural ones. He transformation from huckster to hero that Marcus undergoes makes him a character that the audience is rooting for more strongly than most horror movie characters. Of course, it helps immensely that Patrick Fabian is perfectly cast in the part.

Also perfectly cast is Ashley Bell. She's in her mid-20s, but she nonetheless passes just fine as the 16-year-old she is playing. She also shows that maybe she is being wasted in the primarily voice acting roles she's played up to this point, as she is fabulous as Nell, being equally sweet, sinister, or absolutely bat-shit crazy depending on what is called for vis-a-vis portraying a girl who might be demonically possessed. Louis Herthum as her deeply Christian father is likewise excellent in his part, seeming likeable but with just enough of an edge that the audience can buy into the suspicions that start to form around him halfway through the film.


Unfortunately, all that is good about "The Last Exorcism" is undermined by its absolutely awful ending. It's an ending that's carefully set up as the film unfolds, and it's to be expected given the genre and the general tend for horror movies to be home to various degrees of irony and "poetic justice", but in this specific case the ending destroys the carefully constructed illusion that we're watching a documentary. As the end credits start to roll, even the most unquestioning and generous-minded viewer will be asking with some irritation, "Given what just happened... who made the movie?"

I don't know if this was the filmmakers intent, but what they ended up doing was the modern-day equavenent of the ending on "The Mark of the Vampire" or "The Ghoul" where the 1930s filmmakers ended their films by reassuring audiences that there is no such thing as the supernatural. With "The Last Exorcism," the filmmakers do the same by completely destroying the pretense that everything we've just seen unfold on film was just so much make-believe, reassuring us that there is no such thing as the supernatural. However, in the case of the classic horror films, the entirety of what had been built up was not swept away as it is here.

If "The Last Exorcism" has been five-ten minutes shorter and/or given an ending that was in keeping with the illusion of reality the film had set up--even if that ending involved demons taking on physical form--this could have been a great horror movie. Instead, it ends up barely rating as average.



'Resident Evil: Apocalypse' is a failure

Resident Evil: Apocalypse (2004)
Starring: Milla Jovovich, Sienna Guillory and Oded Fehr
Director: Alexander Witt
Rating: Four of Ten Stars

This film is a direct sequel to the original "Resident Evil," and it sees Alice and a small group of survivors struggling to escape zombie-infested Racoon City before the city is destroyed by a nuclear blast intended to prevent the spread of the dead-animating T-virus and to hide the evidence of Umbrella Corporation's massive screw-up. Along the way, they have to defeat the company's latest superweapon, which it released in the city as a final field test.


I enjoyed the movie on a "sit back and watch the fight scenes and mayhem" level, but it fails as a horror movie or even as an action film. The plot had holes in it that you could fit a dump truck full of zombies through, the scares were mostly predictable, and the dialogue was at times so awful that "insipid" is a mild term for it.

In fact, think the potential in the sequel set-up at the end of the film is more exciting than the movie that led up to it.



Thursday, August 26, 2010

Creampuff the GREAT singing

a little intro to this weird video: its for an assignment project thingy for speaking ennglish. instead of boring speech grammar drills i thought of a brilliant idea to sing! its simple cause its targeted to rural area weak students.
Sorry the singing is off key! it was so impromptu and thanks to Juwie who recorded this for me!
Do leave a comment if u like it! =)


Guinea pig dream


as we all know ...this month is .....


HUNGRY GHOST FESTIVAL!!!

 yes i watch in amusement as people who believe in this festival go all out to please the Gods and Ghouls and the living as well..


No, i'm not being disrespectful to those who believe in bad luck and staying home at night and not saying the wrong things for fear of being "disturbed" but i myself am very doubful of such things.
yet i'm not stupid to purposely put my neck on the stake by breaking all the pantang larang rules lah ...crazy ah?


Guess what? 2 days ago when all the gates of hell were open..i dreamt of no other than my 2 dead guinea pigs!
ahaha they looked very hungry and sick..
i tried to feed them but they still kept looking at me with sad eyes..
then i awoke from my slumber...

 Acoording to Cheng Ping, i need to burn some food for them as they were hungry. ( my face- HAH?)

Jessica said something even more funnier- Oh now we know ur guinea pigs ( didnt convert) and were not Christians cause they came back as ghosts from hell!! 
AHAHAHAHAHAHAHAA

just imagine if i did...

 

the idea of it all tickles me to the bone...i'm laughing as i type! 
 what do u think? do guinea pigs come back during Ghost Festivals??

Wednesday, August 25, 2010

'Deadly Memories' is worth forgetting

Deadly Memories (aka "Body Shop") (2002)
Starring: Phillip Newman, Rachel Robbins, L.P. Brown III, William Smith, and Robert Z'Dar
Director: Donald Farmer
Rating: Three of Ten Stars

Small-town body shop owner Art Gary (Newman) is still trying to piece his life together two years after the accident that killed his wife and left his daughter comatose when a neighbor (Z'Dar) manages to identify the teenagers who caused the accident with their reckless driving. They start dying under mysterious circumstances and all signs point to Art having snapped. But is there more to the story?


"Deadly Memories" is a so-so thriller that's done in by an unfocused, meandering plot and characters that are almost too real in the way they're written and acted. They are so real that they will remind you of your own mechanic, or maybe your Uncle Bob, or your next door neighbor. In other words, they're boring. (And at the opposite end of the realism scale, the murder victims are so completely and totally obnoxious that you'll want to reward the killer for putting them out of our misery.)

The best thing about the film is that it provides enough suspects and sheds enough doubt on who the killer might be that it's an open question until he is revealed. However, this bit of quality is itself undermined by an ending that starts out weak and which is underminded further a desire on the part of the filmmakers to make sure this film included all the elements we've come to expect from a slasher film. (The overlong, completely gratuitous shower scene with Tina Krause's naked body being shown in loving detail I can forgive, but the lame attempt at a surprise shock return of the killer I can't. Especially not when it's as badly done as it is here.)

I do give the film good marks for actually offering an upbeat ending--there are entirely too few of those on horror movies these days--and I think that Phillip Newman gave a decent performance as the body shop owner who may or may not be a psycho killer. It's a shame that this seems to have been his last movie.



Monday, August 23, 2010

Clown Rampange!

Hi pepz!!
Below are pre-pictures of our pro-clown profile shots (for business purpose) we took at ADVENTURE ZONE, Golden Sands Batu Feringgi! 

GUESS WHAT HAPPENS when u put 9 uncontrollable crazy clowns with 2 mascots together in a kiddy adventure zone?
 u get tons of fun and madness..

Watch the movie below to see me go down a monster slide into a pool of colour balls!! UBBER FUN!!!

let the pictures speak for themselves: more to come when the pro pics are released!

 

the pants is evil. dont see, smell or hear about it! (its luke in blue pants)




 whoppieee!! See us all go down the slide!




 helping the "blind" cross the grass...(the blind guy is my boss u know)

 

 the slide was exhilarating fun!!

 

this is Flower. her theme is maid. but she's too pretty for that..



this is Jeniffer Bingo my boss again laying eggs on the air blower machine



all of us in the pool of balls doing ultraman and ultrawoman stunts!

 
 COW- ur on the burger menu. ur going down!!




Smelly big feet spotted




 this is what u call a chicken head! say hello to Juwie Chubbi




peek-a boo!! WE SEE U!!! 




at one point, creampuff's battery was low and she had to sit down to rest..


patrick the bunny finnaly jumped off the slide!!

 

the mime clown Ekun and Creampuff going thru the carwash bolders! squashed us !



 Ekun the mime clown cycling without making a sound. it was quite funny when he almost fell and couldn't make a noise




 patrick the tame bunny saying hi!!




 throw balls at them!! ATTACK OH ATTACK!!

 

baby creampuff in the playground!!




this is our last group photo!!  can u spot santa clause? haha =]




 and after 4 hours, that was the wonderful end of it...balloons fly away! =)



CREAMPUFF THE GREAT GOING DOWN A GREAT KIDDY SLIDE!


enjoyed reading?
 bet u smiled at least once!! =)
 its a beautiful day!! 
love u so muchie dear readers!

Eastwood stalked by psycho hose beast!

Play Misty for Me (1971)
Starring: Clint Eastwood, Jessica Walter, Donna Mills and John Larch
Director: Clint Eastwood
Rating: Eight of Ten Stars

A small-town disc-jockey (Eastwood) sees his life turned upside-down when an obsessed fan (Walter) starts stalking him.

Dave (Clint Eastwood) and Evelyn (Jessica Walter) at the point things get REALLY crazy.
"Play Misty for Me" is a nifty thriller where a completely innocent guy gets sucked into the fantasy life of a psycho chick with deadly results. It's the film "Fatal Attraction" wanted to be--something director Eastwood observes in a documentary included on the DVD when he calls it a "remake"--but has neither the style, class, nor properly tuned moral compass of this flick.

In "Fatal Attraction", the characters are almost universally dislikeable and Michael Douglas' character pretty much gets the life he deserves. In this film, skillful casting has guarenteed the characters are likeable--even the psychotic stalker wench has some charm about her, due to a well-done performance from Jessica Walter--and we further have a protagonist whose side the audience is completely on. (Eastwood's character Dave is not married and has been seperated from his girlfriend for several months when he crosses paths with his futuer stalker--he is not betraying any promises or commitments when he gets involved with her, nor did he make any promises to her. It's all-too-rare to see a movie of this type with a completely innocent main character... and for all his womanizing ways, Dave doesn't deserve the hell that comes down upon him and those around him.)

The scenic locations and some intense attack scenes when Eve also this movie very, very strong. I also admire the way Eastwood gave us a "false ending" halfway through the film, going all idyllic and romantic on us when Dave's stalker is apparently put away. The sequence goes on a little too long, but it was a great idea and when Evelyn reappears, the anticipation of her next strike is that much more intense.

If you enjoy movies like "Fatal Attraction"--and want to see that movie done better, over a decade earlier--or if you want to see Clint Eastwood in a role very different from the ones he usually plays, you should check out "Play Misty for Me".



Sunday, August 22, 2010

'Hide and Seek' was not worth finding

Hide and Seek (2005)
Starring: Robert DeNiro and Dakota Fanning
Director: John Polson
Rating: Three of Ten Stars

Robert DeNiro plays a psychiatrist whose wife commits suicide one night, apparently completely out of the blue. His young daughter (Fanning) is deeply traumatized by the event, so the widower relocates her and himself to an isolated country house so they can both get a fresh start. Soon after they arrive, the daughter's behavior becomes increasingly irratic. Things grow ever worse when she picks up an invisible friend named Charlie... and things get really and Charlie starts doing destructive and violent things.


I've written that capsule summary before, for a different movie. For several different movies, in fact. And most of the times I've written that summary, it's been for a movie that started out promising but fell apart in the end.

And, boy, does "Hide and Seek" fall apart at the end. It starts strong, it builds, it looks like it might make it... and then in the final act it simply collapses.

"Hide and Seek" was another marker along the road to the final death of the thriller, yet another film with a twist-endings that I'm sure the writers and directors think are oh-so-clever, but which really are oh-so-stupid and oh-so-predictable.

In the case of "Hide and Seek," the twist-ending which is supposed to be oh-so-clever falls completely flat because a) it could only occur in a world where EVERYONE has the intelligence of fruit flies, b) it drags on and on and on and on, and c) unless the secret of the twist-ending was already a staple of life in the family's household before the death of the wife [which the movie implies that it was not], the character played by Fanning is old enough that she would have had a different approach to dealing with her father and Charlie than she does in the movie (but that circles back to the 'characters are dumb as fruit-flies' problem).

"Hide and Seek" is another thriller with supernatural overtones that would have been much, much better if the filmmakers had recognized that just because you think you're clever doesn't mean you are. It could certainly have benefited from another draft or two by someone who can actually tell a decent twist-ending story. As it is, a campfire story like "The Hook" is more satisfying.

(I will give Dakota Fanning high marks for being a creepy little kid. She does a great job, and she's worth a full Tomato. Deniro, unfortunately, overacts something fierce.)



Saturday, August 21, 2010

the many faces

The pressure to perform, the many identities i take on, the many faces i've become in life...
not all bad yet not all good..some too shameful to share.

why is it so hard to excel in one thing i do? to become:


a God fearing christian. watching ur actions and words as not to leave a bad impression. its just so hard


the best friend, being there through thick and thin. distance has made it quite hard for me to be a good pillar of support




A true friend to many...(ur still my true fren eventho ur face is not here)


the mischievous clown that makes everyone laugh


the partner that devotes time and sacrifice to the other sometimes unrequited


the daughter and sister that is suppose to never fail or dishonour the family, 
a role model to the younger siblings.


a student that is suppose to excel in all academics, sports, peer pressure and still have good strong character


the inner demon i fight with everyday in demand to be beautiful, slim and accepted. 
(its all worldly  lies i know and i still fight against it)


so at the end of the day..who am i?
a cocktail of all the above or just a sad self absorbed bitch who has extreme self pity?
i feel very burdened having to be responsible and committed to so many things now and the greater commitments i have to give in the future..
and i thought the self identity crisis period passed during the teenage years.
am i all alone thinking thoughts as these?